France -- Social life and customs -- 19th century -- Fiction
I must confess that I myself at the beginning of our friendship was
greatly troubled by these stories. I could not think of Lirat without
at the same time picturing to myself horrible fits in which, I was
told, he was writhing. Victim of a delusion born of an obsession with
this idea, I seemed to discover in him symptoms of horrible diseases;
I often imagined that he suddenly became livid, that his mouth was
distorted, that his body was convulsed in horrible spasms, that his
eyes, wild and streaked with red, were shunning the light and seeking
the shadow of deep vacuous space, like the eyes of trapped beasts that
are about to die. And I regretted that I did not see him fall, shriek,
writhe here in his studio filled with his genius, under my avid glance
that watched him and hoped for the worst!... Poor Lirat!... And still I
loved him!...
The day was drawing to a close. All over Rodrigues place one heard the
slamming of doors; the noise of steps upon the street was rapidly dying
away, and in the shops voices were heard rising in song at the end of
the day's work. Lirat had not uttered a word since resuming his work,
except to fix my posture, which I did not keep just the way he wanted.
"The leg a little this way!... A little more now!... Your chest not
quite so drawn in!... You'll excuse me, my dear Mintié, but you pose
like a pig!"
He worked now feverishly, now haltingly, mumbling in his mustache,
swearing from time to time. His crayon snapped at the canvas with a
sort of uneasy haste of angry nervousness.
"Ah, shucks!" he cried out, pushing away the easel with a kick.... "I
can do nothing but botch-work today!... The devil take me, one might
think I was competing for a prize."
Moving back his chair he examined his sketch with a frigid air and
muttered:
"Whenever women come here it's the same old story.... When they go away
the women leave you the soul of a Boulanger in the pretty claws of a
Henner.... Henner, do you understand?... Let's go out."
When we were at the end of the street:
"Are you coming to dine with me, Lirat?" I asked him.
"No," he replied in a dry tone, reaching out his hand.
And he walked away, stiff, formal, solemn, with the business air of a
deputy who has just discussed the budget.
Public-domain text, read in full here on John Shaqi.
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