France -- Social life and customs -- 19th century -- Fiction
What was there to do at Saint-Michel? There was no one to whom I could
communicate my thoughts, my dreams; there was no outlet for the ardor
of life where I could expend that intellectual energy, that passion
for knowledge and for creative work which the war, in developing my
muscles, in strengthening my body, had awakened in me, and which
omnivorous reading overstimulated in me more and more every day. I
realized that Paris alone, which formerly had frightened me so much,
that Paris alone could furnish nourishment for ambitions, as yet
indefinite, which spurred me on, and with the estate settled, and the
library sold I left suddenly, leaving the Priory to the care of Felix
and Marie.... And here I am back in Paris!...
What have I accomplished during these five years, to use the words
of the curé?... Carried away by vague ardors, by confused enthusiasm
which blended together some sort of a chimeric ideal with a kind of
impracticable apostleship, how far did I get?... I am no longer the
timid child whom the footmen, in the vestibule flooded with light, used
to put to flight. If I have not acquired much self-assurance, I at
least know how to behave in society without appearing too ridiculous.
I pass pretty much unnoticed, a condition which is the best that could
be wished for a man of my calibre who possesses none of the graces and
qualities which are necessary to shine there.
Very often I ask myself: what am I doing here in this society to which
I do not belong, where they respect only success however fraudulently
obtained, only money, no matter from what filthy place it comes; where
every spoken word acts as a wound inflicted on everything I love best
and everything I admire most?... Besides, is not man with all his
differences of education which are betrayed only in his gestures,
in his manner of greeting, in his more or less graceful bearing,
pretty much the same no matter where he is?... What! were these the
high-spirited artists, the much admired writers whose glory is sung,
whose genius is acclaimed ... these petty, vulgar, frightfully pedantic
beings, slavishly aping the manners of the society they rail at,
ludicrously vain, fiercely jealous, lying prostrate before wealth, and
kneeling in the dust, worshipping publicity--that old blackguard, which
they carry about on velvet cushions.... Oh, how much better I love
the herdsmen and their oxen, the pig drivers and their pigs, yes the
pigs, round and pink, digging the earth with their snouts and whose fat
smooth backs reflect the clouds that float above!
Public-domain text, read in full here on John Shaqi.
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