France -- Social life and customs -- 19th century -- Fiction
And again I saw the beautiful virgin of Saint-Michel, the radiant
virgin of plaster of paris with its robe adorned with stars and
its golden nimbus descending from heaven. All around her suns were
revolving, inclining themselves like celestial flowers, and doves in
the exaltation of prayers were flying about, brushing her with their
wings.... I recalled the ecstasies, the fits of mystic adoration which
she evoked in me; all the sweet joys which I had experienced came back
to me at the mere contemplation of her. Did she not also speak to me,
then, at the chapel? And those unuttered words which poured into my
childish soul such ineffable tenderness, this language more harmonious
than angels' voices and the music of golden harps, this language more
fragrant than the perfume of roses,--was it not the divine language of
love?
As I listened with all my senses to this language which was music to
me, I was lifted into a world unknown and wondrous; a new enchanted
life sprouted, burst into bud and flourished all around me. The horizon
receded into mysterious infinity: space shone bright like the interior
of the sun, and I felt myself growing so tall and strong that in one
embrace I was pressing to my breast all the beings, all the flowers,
all the swarms of creatures born of the glance of love exchanged
between the Holy Virgin of plaster and a little child.
"Holy Virgin, kindly Virgin!" I cried. "Speak to me, speak to me
again,--as you used to in the past, in the chapel.... And give me love
once more, for love is life and I am dying because I am no longer able
to love."
But the Virgin was not listening to me any longer. She glided into the
chamber and curtsying, mounted the chairs, pried into the furniture
pieces, singing strange airs all the time. A drawn bonnet of otter skin
now replaced her nimbus of gold, her eyes became like those of Juliette
Roux, very large, very sweet, which smiled at me from a plaster face
under a veil of very fine gauze. From time to time she approached my
bed, waving above me her embroidered handkerchief which exhaled a
violent perfume.
"Monsieur Mintié," she said, "I am at home every day from five to
seven. And I shall be delighted to see you, delighted!"
"Virgin, kindly Virgin!" I implored again. "Speak to me, please. Speak
to me as you did formerly in the chapel."
"Tu, tu, tu, tu!" hummed the Virgin who, causing her lilac robe to
swell out and removing her cloak, adorned with golden stars with the
tips of her long, thin fingers, began to turn around slowly as if
dancing a waltz, her head swaying from one side to the other.
"Good Virgin!" I repeated in a rather irritated voice, "why don't you
speak to me!"
She stopped, posted herself in front of me, stripped off her plaster
garments one after another, and entirely nude, lustful and magnificent,
her bosom shook with clear, sonorous, precipitous laughter:
Public-domain text, read in full here on John Shaqi.
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