Through the long spring dusks, with their tender skies and silver stars, Nance and Dan kept company, unconcerned with the past or the future, wholly content with the May-time of the present. At a word or touch from Dan, Nance's inflammable nature would have taken fire but Dan, under Mrs. Purdy's influence, was passing through an acute stage of religious conversion, and all desires of the flesh were sternly repressed by that new creed to which he was making such heroic efforts to conform. With the zeal of a new convert, he considered it his duty to guard his small companion against all love-making, including his own. Nance at an early age had developed a protective code that even without Dan's forbidding looks and constant surveillance might have served its purpose. Despite the high spirits and free speech that brought her so many admiring glances from the boys in the factory, it was soon understood that the "Molloy kid" was not to be trifled with. "Say, little Sister, I like your looks," Bean had said to her one morning when they were alone in the hall. "It's more than I do yours," Nance had answered coolly, with a critical glance at his pimply nose. As summer came on, the work, which at first was so difficult, gradually became automatic, and while her shoulders always ached, and her feet were always tired, she ceased for the most part to think of them. It was the confinement that told upon her, and when the long bright days came, and she thought of Forest Home and its woods and streams, her restlessness increased. The stifling finishing room, the endless complaints of the girls, and the everlasting crunching of glass under foot were at times almost unendurable. One day when the blue of the sky could not be dimmed even by factory smoke, and the air was full of enticement, Nance slipped out at the noon hour, and, watching her chance, darted across the factory yard out through the stables, to the road beyond. A decrepit old elm-tree, which had evidently made heroic effort to keep tryst with the spring, was the one touch of green in an otherwise barren landscape. Scrambling up the bank, Nance flung herself on the ground beneath its branches, and between the bites of a dry sandwich, proceeded to give vent to some of her surplus vitality. "Arra, come in, Barney McKane, out of the rain," she sang at the top of her voice. "And sit down until the moon comes out again, Sure a cup of tay I'll brew, just enough for me and you, We'll snuggle up together, and we'll talk about the weather, Do you hear? Barney dear, there's a queer Sort of feelin' round me heart, that gives me pain, And I think the likes o' me could learn to like the likes o' ye, Arra, come in, Barney McKane, out of the rain!" So absorbed was she in trying operatic effects that she did not notice an approaching automobile until it came to a stop in the road below.