Nothing could exceed the sudden ferocity with which he thrust this
indignant remonstrance into the ear of his guest. It was as if he had
struck him on the side of the head with a steel gauntlet. It was a
protest, but it was a challenge. To be mistaken for a coward—to be
played for a Modoc: these two expressions are one. Sometimes it is a
Chinaman. Do you play me for a Chinaman? is a question frequently
addressed to the ear of the suddenly dead.
Mr. Beeson’s buffet produced no effect, and after a moment’s pause,
during which the wind thundered in the chimney like the sound of clods
upon a coffin, he resumed:
“But, as you say, it is wearing me out. I feel that the life of the last
two years has been a mistake—a mistake that corrects itself; you see how.
The grave! No; there is no one to dig it. The ground is frozen, too.
But you are very welcome. You may say at Bentley’s—but that is not
important. It was very tough to cut: they braid silk into their
pigtails. Kwaagh.”
Mr. Beeson was speaking with his eyes shut, and he wandered. His last
word was a snore. A moment later he drew a long breath, opened his eyes
with an effort, made a single remark, and fell into a deep sleep. What
he said was this:
“They are swiping my dust!”
Then the aged stranger, who had not uttered one word since his arrival,
arose from his seat and deliberately laid off his outer clothing, looking
as angular in his flannels as the late Signorina Festorazzi, an Irish
woman, six feet in height, and weighing fifty-six pounds, who used to
exhibit herself in her chemise to the people of San Francisco. He then
crept into one of the “bunks,” having first placed a revolver in easy
reach, according to the custom of the country. This revolver he took
from a shelf, and it was the one which Mr. Beeson had mentioned as that
for which he had returned to the Gulch two years before.
In a few moments Mr. Beeson awoke, and seeing that his guest had retired
he did likewise. But before doing so he approached the long, plaited
wisp of pagan hair and gave it a powerful tug, to assure himself that it
was fast and firm. The two beds—mere shelves covered with blankets not
overclean—faced each other from opposite sides of the room, the little
square trapdoor that had given access to the Chinaman’s grave being
midway between. This, by the way, was crossed by a double row of
spike-heads. In his resistance to the supernatural, Mr. Beeson had not
disdained the use of material precautions.
The fire was now low, the flames burning bluely and petulantly, with
occasional flashes, projecting spectral shadows on the walls—shadows that
moved mysteriously about, now dividing, now uniting. The shadow of the
pendent queue, however, kept moodily apart, near the roof at the further
end of the room, looking like a note of admiration. The song of the
pines outside had now risen to the dignity of a triumphal hymn. In the
pauses the silence was dreadful.
Public-domain text, read in full here on John Shaqi.
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