France -- History -- Louis XIII, 1610-1643 -- Fiction
In spite of all that he has witnessed, the obstinate old father still
feels unbounded faith in Matamore’s valour, and persists in his
lamentable intention to bestow the hand of his fair daughter upon this
magnificent hero. Poor Isabelle bursts into tears, and declares that
she prefers the convent to such a fate. Zerbine loudly swears that this
marriage shall never take place, and tries to console her weeping
mistress. Matamore attributes this rather discouraging demonstration on
the part of Isabelle to an excess of maidenly modesty, not doubting her
_penchant_ for himself, though he acknowledges that he has not yet
properly paid his court, nor shown himself in all his glory to her—this
last from prudential motives, fearing lest she might be dangerously
dazzled and overwhelmed if he should burst upon her too suddenly in the
full splendour of his heroic character, remembering, and taking warning
by, the sad and terrible fate that befell Semele, when Jupiter,
reluctantly yielding to her wishes, appeared before her with all the
insignia of his majesty.
Isabelle and her maid withdrew from the balcony, without taking any
further notice of the valiant Matamore; but he, undaunted, wishing to
play the lover after the most approved fashion, plants himself
resolutely under her window and sends Scapin to fetch a guitar; upon
which he thrums awkwardly for a while, and then accompanies it with his
voice, in an attempt at a Spanish love song, which sounds much like the
nocturnal caterwauling of a disconsolate tabby than anything else we
can compare it to. A dash of cold water, mischievously thrown down on
him by Zerbine under pretext of watering the plants in the balcony,
does not extinguish his musical ardour. “A gentle shower from the sweet
eyes of my Isabelle, moved to tears by this plaintive melody,” says he,
“for it is universally conceded that I excel in music as in arms, and
wield the lyre as skilfully as the sword.”
Unfortunately for him, Leander suddenly reappears, and highly indignant
that this miserable rascal should presume to serenade _his_ mistress,
snatches the guitar from his hands and begins whacking him over the
head with it, so furiously that it is quickly broken through, and
slipping over the unhappy serenader’s head remains fixed round his
neck, so that he is completely at the mercy of his assailant. Holding
fast to the handle of the guitar, Leander hauls him about the stage,
banging him against the side-scenes, dragging him forward to the
footlights—making the most absurd scene imaginable—and finally, letting
go of him suddenly, sends him sprawling on the ground. Fancy the
ridiculous appearance of the unfortunate bully, who looked as if he had
put his head through a frying-pan!
Public-domain text, read in full here on John Shaqi.
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