Adventure stories; Fantasy fiction; Oz (Imaginary place) -- Juvenile fiction
Tandy let himself down carefully hand over hand, Roger keeping abreast
of him with the saw. To slide rapidly to the bottom would have been
quicker, but the resulting blisters would make it difficult to use the
saw. Forty fathoms, nearly two hundred and forty feet, is a long way
to go hand over hand on a rope, and before he reached the glass-like
slide, Tandy's palms stung and his shoulders ached and burned from the
strain. But at last he was down, and dropping to his hands and knees
with Roger mourning and muttering beside him, Tandy peered fearfully
through the glassy substance.
For a moment everything was a green and misty blur, but gradually the
figure of Samuel Salt standing sturdily in the middle of the air bowl
became visible. Although waist high in sea water, and surrounded by
loathsome sea creatures and crabs the Seeweegians had tossed in for him
to eat, Samuel was making slow and interested entries in his journal.
Pressed against the sides of his strange aquarium, Tandy could see the
round, square and triangular faces of the jellyfish men and women.
Brilliantly colored vines and seaweed waved and tossed in the current,
the floor of the ocean was covered with bright shells, polished stones
and all manner of sparkling deep sea jewels. Had Tandy not been so
worried about Samuel Salt he would have liked nothing better than
sketching this strange and beautiful under sea Kingdom with the
Seeweegians flopping and swimming busily in and out of their grottos
and caves, or disporting themselves in the sea weed forests. But as
it was, his only thought was of quickly freeing the Captain of the
_Crescent Moon_ from his curious prison.
"Look, they've put up a sign," hissed Roger, handing over the saw.
Looking in the direction indicated by Roger, Tandy saw an immense shell
on which long wisps of sea weed had been arranged to form the words:
COME SEE THE CURIOUS HIGH AIR MANSTER.
ADMISSION, 1 PEARL, 5 CORALS AND A CLAM!
Public-domain text, read in full here on John Shaqi.
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