Cardinal Pole; Or, The Days of Philip and Mary: An Historical RomanceAinsworth, William Harrison
History
Cardinal Pole; Or, The Days of Philip and Mary: An Historical Romance
Ainsworth, William Harrison
Great Britain -- History -- Mary I, 1553-1558 -- Fiction; Pole, Reginald, 1500-1558 -- Fiction
“Bah! I am not afraid,” cried Bittern, “The Prince will be of my opinion
when he beholds his royal consort. Mark what I say. There is not a
gallant in the Two Castiles fonder of a pretty woman than Don Philip—a
pretty woman, d’ye heed? How then will he reconcile himself to one so
much the reverse of beautiful as the Queen? But we must watch over his
Highness’s safety. The French Ambassador is the Prince’s worst enemy,
and capable of doing him a mischief. Good-night, worthy Master Tyrrell.
We will have another merry bout to-morrow. Come along, gentlemen—but
caution!—caution!—The Prince must not perceive that he is followed.”
With this, they all marched down the street.
[Illustration]
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[Illustration]
CHAPTER VII.
THE DEVOTEE IN THE CHAPEL OF THE DOMUS DEI.
Instead of proceeding to the Water-gate, near which a noisy throng was
still assembled, Philip and his conductor turned off on the left, with
the intention of making their exit from the town by the South-gate.
Passing through a Gothic archway, they entered a narrow sombre street,
or alley, with old monastic looking buildings on either side. In this
street stood, and still stands, the _Domus Dei_, or God’s House, a
hospital founded in the reign of Henry III. by two brothers, Gervase and
Protasius, merchants of Southampton, and dedicated by them to Saint
Julian, the patron of travellers. Connected with this hospital, ancient
even at the period of our history, was a beautiful little chapel, where,
as we have already mentioned, the three conspiring lords were buried
after their decapitation.
Vespers were being celebrated within the sacred pile as Philip and his
conductor passed it; perceiving which, the Prince determined to go in
and perform his devotions. Accordingly, they entered the little edifice.
Dimly lighted by the tapers burning at the altar, its massive round
pillars, semicircular arches, small windows, and deeply-recessed doorway
could only be imperfectly seen. Within the chancel, the arch of which
was of great beauty, three black marble flags told where the traitorous
nobles were laid. Here, also side by side, were recumbent statues of the
founders of the fane, sculptured in alabaster.
Except the officiating priest and his assistants, there were only two
female devotees in the chapel, both of whom were kneeling before the
altar.
Public-domain text, read in full here on John Shaqi.
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