Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
The devil was not always victor. There was One whom neither his low
cunning nor his bland address nor his blunt audacity could beguile--the
Son of God, his predestined conqueror. The passages in the Gospels which
relate the attempts made by Satan to tempt the Lord furnished congenial
subjects to the illuminators of the Middle Ages, and they treated those
subjects with their usual enormous crudity. In one very ancient Saxon
psalter, in manuscript, preserved at the British Museum, there is a
colossal Christ, with one foot upon a devil, the other foot about to
fall upon a second devil, and with his hands delivering from the open
mouth of a third devil human souls, who hold up to him their hands
clasped as in prayer. In this picture the sympathies of the artist are
evidently not on the side of the evil spirits. Their malevolence is
apparent, and their attitude is ignominious. The rescued souls are,
indeed, a pigmy crew, of woe-begone aspect; but their resistless
Deliverer towers aloft in such imposing altitude that the tallest of the
saints hardly reaches above his knees. In another picture of very early
date, the Lord upon a high place is rescuing a soul from three scoffing
devils, who are endeavoring to pull him down to perdition by cords
twisted round his legs. _This_ soul we are permitted to consider safe;
but below, in a corner of the spacious drawing, a winged archangel is
spearing a lost soul into the flames of hell, using the spear in the
manner of a farmer handling a pitchfork.
[Illustration: The Temptation.]
These ancient attempts to exhibit the endless conflict between good and
evil are too rude even to be interesting. The specimen annexed, of later
date, about 1475, occurs in a Poor People's Bible (_Biblia Pauperum_),
block-printed, in which it forms part of an extensive frontispiece. The
book was once the property of George III., at the sale of whose personal
effects it was bought for the British Museum, where it now is. It has
the additional interest of being one of the oldest specimens of
wood-engraving yet discovered.
The mountain in the background, adorned by a single tree, is the height
to which the Lord was taken by the tempter, and from which the devil
urged him to cast himself down.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account