Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
In other series we have Death dressed as a beau seizing a young maiden,
Death taking from a house-maid her broom, Death laying hold of a
washer-woman, Death taking apples from an apple-stand, Death beckoning
away a bar-maid, Death summoning a female mourner at a funeral, and
Death plundering a tinker's basket. Death, standing in a grave, pulls
the grave-digger in by the leg; seated on a plow, he seizes the farmer;
with an ale-pot at his back, he throttles an inn-keeper who is
adulterating his liquors; he strikes with a bone the irksome chain of
matrimony, and thus sets free a couple bound by it; he mows down a
philosopher holding a clock; upon a miser who has thrust his body deep
down into a massive chest he shuts the heavy lid; he shows himself in
the mirror in which a young beauty is looking; to a philosopher seated
in his study he enters and presents an hour-glass. A pope on his throne
is crowning an emperor kneeling at his feet, with princes, cardinals,
and bishops in attendance, when a Death appears at his side, and another
in his retinue dressed as a cardinal. Death lays his hand upon an
emperor's crown at the moment when he is doing justice to a poor man
against a rich; but in another picture of the same series, Death seizes
a duke while he is disdainfully turning from a poor woman with her child
who has asked alms of him. The dignitaries of the Church were not
spared. Fat abbots, gorgeous cardinals, and vehement preachers all
figure in these series in circumstances of honor and of dishonor. In
most of them the person summoned yields to King Death without a
struggle; but in one a knight makes a furious resistance, laying about
him with a broadsword most energetically. It is of no avail. Death runs
him through the body with his own lance, though in the other picture the
weapon in Death's hand was only a long thigh-bone.
Mr. Longfellow, in his "Golden Legend," has availed himself of the Dance
of Death painted on the walls of the covered bridge at Lucerne to give
naturalness and charm to the conversation of Elsie and Prince Henry
while they are crossing the river. The strange pictures excite the
curiosity of Elsie, and the Prince explains them to her as they walk:
"_Elsie._ What is this picture?
"_Prince._ It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him; and Death meanwhile
Is putting out the candles on the altar!
"_Elsie._ Ah, what a pity 'tis that she should listen
Unto such songs, when in her orisons
She might have heard in heaven the angels singing!
"_Prince._ Here he has stolen a jester's cap and bells,
And dances with the queen.
"_Elsie._ A foolish jest!
"_Prince._ And here the heart of the new-wedded wife,
Coming from church with her beloved lord,
He startles with the rattle of his drum.
Public-domain text, read in full here on John Shaqi.
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