Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
If we consider how vast a labor was represented in all those volumes,
it is interesting to revert to that comparison between Stedman and his
friend Aldrich with which this paper began. Their literary lives led
them apart; that of Aldrich tending always to condensation, that of
Stedman to expansion. As a consequence, Aldrich seemed to grow younger
and younger with years and Stedman older; his work being always valuable,
but often too weighty, “living in thoughts, not breaths,” to adopt the
delicate distinction from Bailey’s “Festus.” There is a certain worth
in all that Stedman wrote, be it longer or shorter, but it needs a good
deal of literary power to retain the attention of readers so long as
some of his chapters demand. Opening at random his “Poets of America,”
one may find the author deep in a discussion of Lowell, for instance,
and complaining of that poet’s prose or verse. “Not compactly moulded,”
Stedman says, even of much of Lowell’s work. “He had a way, moreover,
of ‘dropping’ like his own bobolink, of letting down his fine passages
with odd conceits, mixed metaphors, and licenses which, as a critic, he
would not overlook in another. To all this add a knack of coining uncouth
words for special tints of meaning, when there are good enough counters
in the language for any poet’s need.” These failings, Stedman says, “have
perplexed the poet’s friends and teased his reviewers.” Yet Lowell’s
critic is more chargeable with diffuseness than is Lowell himself in
prose essays, which is saying a good deal. Stedman devotes forty-five
pages to Lowell and thirty-nine even to Bayard Taylor, while he gives to
Thoreau but a few scattered lines and no pretense at a chapter. There
are, unquestionably, many fine passages scattered through the book,
as where he keenly points out that the first European appreciation of
American literature was “almost wholly due to grotesque and humorous
exploits—a welcome such as a prince in his breathing-hour might give
to a new-found jester or clown”; and when he says, in reply to English
criticism, that there is “something worth an estimate in the division of
an ocean gulf, that makes us like the people of a new planet.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account