[15] From "Harlem Shadows" by Claude McKay, Copyright 1922, by Harcourt, Brace & Company, Inc. JEAN TOOMER Jean Toomer was born in Washington, D. C., in 1894. He has since lived there and in New York, receiving his education mainly in these cities. Having traveled over a good part of America, experiencing varied aspects of its life and studying the elements of contemporary problems, in 1918 in the midst of a general interest in art, he gradually centered on that of literature. There followed a four year period devoted entirely to writing, the results of which were first given printed form by _The Double Dealer_ of New Orleans. And soon thereafter, sketches, poems, short stories, and critical reviews began appearing in _Broom_, _The Crisis_, _The Dial_, _The Liberator_, _The Little Review_, _Opportunity_, etc. These brought him in contact with a literary and artistic group in New York composed of such men as Waldo Frank, Alfred Steiglitz, Paul Rosenfeld, Gorham B. Munson, and others. With these he has been associated in the effort to articulate the diverse significances of America. In 1923 his first book, _Cane_, was published by Boni and Liveright, New York. REAPERS Black reapers with the sound of steel on stones Are sharpening scythes. I see them place the hones In their hip-pockets as a thing that’s done, And start their silent swinging, one by one. Black horses drive a mower through the weeds, And there, a field rat, startled, squealing bleeds, His belly close to ground. I see the blade, Blood-stained, continue cutting weeds and shade. EVENING SONG Full moon rising on the waters of my heart, Lakes and moon and fires, Cloine tires, Holding her lips apart. Promises of slumber leaving shore to charm the moon, Miracle made vesper-keeps, Cloine sleeps, And I’ll be sleeping soon. Cloine, curled like the sleepy waters where the moon-waves start, Radiant, resplendently she gleams, Cloine dreams, Lips pressed against my heart. GEORGIA DUSK The sky, lazily disdaining to pursue The setting sun, too indolent to hold A lengthened tournament for flashing gold, Passively darkens for night’s barbecue, A feast of moon and men and barking hounds, An orgy for some genius of the South With blood-hot eyes and cane-lipped scented mouth, Surprised in making folk-songs from soul sounds. The sawmill blows its whistle, buzz-saws stop, And silence breaks the bud of knoll and hill, Soft settling pollen where plowed lands fulfill Their early promise of bumper crop. Smoke from the pyramidal sawdust pile Curls up, blue ghosts of trees, tarrying low Where only chips and stumps are left to show The solid proof of former domicile. Meanwhile, the men, with vestiges of pomp, Race memories of king and caravan, High-priests, an ostrich, and a juju-man, Go singing through the footpaths of the swamp.