American fiction -- 20th century; Short stories, American
“Tommy,” said his friend, “don't, if you love me, hand out any more of
your jejune poeticism or musical-comedy philosophy. I'll agree with you
that the world is a bubble for the sake of argument, if you'll change
the record. I want to eat, and nothing interferes with my pleasure in
a meal so much as this line of pseudocerebration that you seem to have
adopted lately.”
“Bubbles seem trivial things, Jack,” went on Tommy, altogether
unperturbed. “But I have a theory that there aren't any trivial things.
I like to think of the world balancing itself on a trivial thing. Look
at the Kaiser, for instance. A madman. Well, let's say there's been a
blood clot in his brain for years--a little trivial thing the size of a
pin point, Jack. It hooks up with the wrong brain cell; it gets into
the wrong channel, and--pouf! The world goes to war. A thousand million
people are affected by it--by that one little clot of blood no bigger
than a pin point that gets into the wrong channel. An atom! A planet
balanced on an atom! A star pivoting on a molecule!”
“Have some soup,” said his friend.
“Bubbles! Bubbles and butterflies!” continued Tommy. “Some day, Jack,
I'm going to write a play in which a butterfly's wing brushes over an
empire.”
“No, you're not,” said Jack. “You're just going to talk about it and
think you're writing it and peddle the idea round to everybody you know,
and then finally some wise guy is going to grab it off and really write
it. You've been going to write a play ever since I knew you.”
“Yes, I am; I'm really going to write that play.”
“Well, Tommy,” said Jack, looking round the chattering dining room,
“this is a hell of a place to do it in!”
“Meaning, of course,” said Tommy serenely, “that it takes more than a
butterfly to write a play about a butterfly.”
“You get me,” said his friend. And then after a pause he went on with
sincerity in his manner: “You know I think you could write the play,
Tommy. But unless you get to work on some of your ideas pretty soon, and
buckle down to them in earnest, other people will continue to write your
plays--and you will continue to josh them and yourself, and your friends
will continue to think that you could write better plays if you would
only do it. People aren't going to take you seriously, Tommy, till you
begin to take yourself a little seriously. Why, you poor, futile, silly,
misguided, dear old mutt, you! You don't even have sense enough--you
don't have the moral continuity, if you follow me--to stay sore at a man
that does you dirt! Now, do you?”
“Oh, I don't know about that,” said Tommy a little more seriously.
Public-domain text, read in full here on John Shaqi.
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