Castes and Tribes of Southern India. Vol. 3 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 3 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
In connection with the 'vellari thadi' referred to above, Dr. Oppert
writes [46] that "boomerangs are used by the Tamil Maravans and Kallans
when hunting deer. The Madras Museum collection contains three (two
ivory, one wooden) from the Tanjore armoury. In the arsenal of the
Pudukkottai Raja a stock of wooden boomerangs is always kept. Their
name in Tamil is valai tadi (bent stick)." Concerning these boomerangs,
the Dewan of Pudukkottai writes to me as follows. "The valari or valai
tadi is a short weapon, generally made of some hard-grained wood. It
is also sometimes made of iron. It is crescent-shaped, one end being
heavier than the other, and the outer edge is sharpened. Men trained in
the use of the weapon hold it by the lighter end, whirl it a few times
over their shoulders to give it impetus, and then hurl it with great
force against the object aimed at. It is said that there were experts
in the art of throwing the valari, who could at one stroke despatch
small game, and even man. No such experts are now forthcoming in the
State, though the instrument is reported to be occasionally used in
hunting hares, jungle fowl, etc. Its days, however, must be counted as
past. Tradition states that the instrument played a considerable part
in the Poligar wars of the last century. But it now reposes peacefully
in the households of the descendants of the rude Kallan and Maravan
warriors, who plied it with such deadly effect in the last century,
preserved as a sacred relic of a chivalric past along with other
old family weapons in their puja room, brought out and scraped and
cleaned on occasions like the Ayudha puja day (when worship is paid
to weapons and implements of industry), and restored to its place of
rest immediately afterwards."
Public-domain text, read in full here on John Shaqi.
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