Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
Nothing had seemingly changed in the interior aspect of the house. Her
father’s overcoat and bowler hat hung sedately as ever upon the bamboo
hall-stand. The Collard and Collard piano presented its usual yellow
grin as she looked in through the parlour door. Catherine could not
explain this yellow grin: there had been something in the instrument’s
fretwork front with the faded yellow silk behind that had always
suggested to her a demoniac leer. Now it seemed to be leering worse
than ever.... The morning sunlight struck in through the drawn Venetian
blinds and threw oblique shadows over the grin. Every article in that
room Catherine knew almost personally. Even the unhorticultural flowers
on the carpet were something more to her than a mere pattern: they
were geographical, they held memories, they marked the topography of
her earliest days. And the mantelpiece was full of memories of seaside
holidays. A present from Southend, from Margate, from Felixstowe, a
photograph of Blackpool Tower framed in red plush, an ash-tray with the
Folkestone coat-of-arms upon it....
Mrs. Jopson related the story of the tragedy in careful detail. She
revelled in it as a boy may revel in a blood-and-thunder story. She
emphasized the mystery that surrounded the motives of the tragedy. He
had been getting livelier again. Everybody was noticing that. He had
been seen smoking his pipe in the Forest on a Sunday morning with the
complacency of one to whom life is an everlasting richness. He had
started taking out library books from the Carnegie library. He had even
had friends in his house--presumably colleagues from the Downsland Road
Council School. And he had bought a gramophone. That was the strangest
thing of all, perhaps. What on earth did he want with a gramophone?
At one time the gramophone had been his pet aversion. All music bored
him, but the sound of a gramophone used to call forth diatribes against
the degeneracy of the modern world.... And yet it was there, in the
tiny front parlour, with its absurdly painted tin horn sticking up in
the air and a record lying flat on the circular platform. The record
was one of a recent and not particularly brilliant ragtime. Catherine,
accustomed professionally to such things, knew it well. And Mrs.
Jopson said they had heard that ragtime night after night since he had
bought the gramophone. Sometimes it was played over and over again.
Really, Mr. Jopson had thought of complaining, only he did not wish to
interfere with Mr. Weston’s efforts to liven himself up....
Public-domain text, read in full here on John Shaqi.
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