Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
crying because by his own irrevocable act something has been denied
him. She bowed her head in her hands and gave herself up to an orgy of
remorse. She was truly heartbroken.
For a little while.
The transience of her brokenheartedness may be gauged by the fact that
on her way home she was strangely elated by a single thought. That
thought--occurring to her some half-way down the Ridgeway--was begotten
of her old ruthless habit of self-analysis. “I’m not heartless,” she
told herself. “I can’t be. Nobody could have acted as I did who hadn’t
got a heart. I believe I’ve got as much heart as anybody, really....”
She was rather proud of the tears she had shed.... Delicious to have
such proof that she was a human being! Reassuring to find in herself
the essential humanities she had at times doubted. Comforting to think
that tragedy could move her to sympathy that was more than merely
æsthetic.... Splendid to know that deep down in her somewhere there was
a fount of feeling which she could not turn off and on at will like a
water-main....
CHAPTER IX
NOTHING BUT THE TRUTH
§ 1
“CLAREMONT,” the Ridgeway, was a corner detached house well set back
from the road. A high evergreen hedge impeded the view from the
footpath, and a curving carriage drive overhung with rhododendron
bushes hid all suggestion of a house until the last possible moment.
Then all that you saw was a tiny porch and a panorama of low-hanging
eaves, diamond window-panes and russet-brown roofs of immense
steepness. A telephone bracket affixed to one of the rafters and
an electric bell in the porch convinced you that all this parade
of antiquarianism was really the most aggressive modernity. A
motor-garage, suitably disguised, stood at one side of the house.
Behind was a vista of tennis-courts, conservatories, and an Italian
pergola.
Beneath the tiny porch in the middle of a hot Sunday afternoon
Catherine paused and pressed the button of the bell. She was excited.
Her visit savoured of the miraculous. This was the house of the famous
Emil Razounov The famous Emil Razounov had arranged this appointment to
meet her. She was actually ringing the bell of Emil Razounov’s house.
In another minute she and Emil Razounov would be face to face.
A maid opened the door. “What name, please?” she asked pertly, and
Catherine replied.
Catherine passed into a wide hall, furnished with all sorts of queer
furniture that she contrasted mentally with the bamboo hall-stand and
the circular barometer that had graced the hall of No. 24, Kitchener
Road. At one side a door was half open, and through this Catherine was
ushered into what was apparently the front room of the house.
Public-domain text, read in full here on John Shaqi.
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