Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and ScienceVarious
Religion
Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
“You are getting acquainted with him rapidly,” the Signora whispered
to her friend. “Isn’t he refreshing? It is so beautiful to see a man
whose first impulse is to protect a woman from annoyance, even when
the woman doesn’t belong to him. Carlin is truly a manly, honorable
fellow.”
“I hear a faint little song, sweet and low,” said Bianca, listening
with her pretty head aside and her eyes lifted.
“It is Carlin’s bird,” said the Signora.
The girl glanced about, but saw no cage.
“It is a soft, cooing sound,” she said.
“It is Carlin’s dove,” the Signora replied.
Bianca looked at her inquiringly, her lips still apart, and her head
turned to listen to the melody.
“He doesn’t keep it in a cage, but in a nest,” the Signora went on,
smiling. “Come, and I will show you. Step lightly, and do not speak.
He is too busy to notice, and this great tapestry will hide us. You
must examine this some time, by the way. It is all in rags, but very
precious. See that foot on it! Doesn’t it look as if it were just set
on the green ground――after a bath, too? It is so fresh and perfect.”
She led the way to an alcove of the studio hidden from the other rooms
by this tapestry, and pointed to the inner wall, where a small, low
door showed, half hidden by draperies and armor. “Some day we will go
in; but to-day I will give you a peep only.”
She went to the door, and noiselessly pushed away a little slide in
the panel, then motioned Bianca to look through. The girl obeyed, and
found herself looking into a square room whose one great arched window
had a snow-white fringed curtain waving slowly in the slight breeze,
alternately giving glimpses of, and hiding, a _loggia_ full of flowers
and the green outside curtain of a grape-vine. Only tiny glints of
sunshine entered through this double drapery, making the white curtain
look as if it were embroidered with spots of gold. From the centre of
a vaulted white ceiling hung a brass lamp, swinging slowly on its
chain, and catching a point of light in place of the extinguished
flame. On the white wall opposite the door hung high up an ebony
crucifix, with a blue niche below, in which stood a marble statue of
the Madonna. A tiny lamp burned before the two, and a branch of roses
was twisted about the statue’s feet. In the centre of the room a
green-covered table stood on a large green cloth that covered nearly
the whole of the stone floor, and two or three cane-seated chairs were
visible. The bird still sung her low, cooing song, an improvised
melody set to inarticulate murmurs that now and then broke softly into
words――a word of human love and blessing, a word of prayer, or a word
of happiness. As when a gentle brook flows with only its waters now,
and now with a flower or leaf, and now a little boat on its tide, and
now a break of foam, and then a clear reflection as vivid as a
tangible object, so the song flowed, with its word here and there.
Public-domain text, read in full here on John Shaqi.
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