Confederate States of America. Army -- Fiction; Historical fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
At midnight the Big Black River was reached. Oh, the reinforcements
for Bowen were tired and worn! The night was inky, damp, and hot. The
——th Virginia, closing Tracy’s column, must wait and wait for its turn
at the crossing. There was a long, old-type ferryboat, and many men
and horses swam the stream, but it took time, time to get the whole
brigade across! Broken and decaying wood was gathered and a tall fire
made. Burning at the water’s edge, it murkily crimsoned landing and
stream, the crowded boat slow passing from shore to shore, and the
swimming, mounted men. Above it, on the north side, the waiting
regiments threw themselves down on the steaming earth, in the rank and
wild growth. The ——th Virginia, far back on the road, had a fire of
its own. Behind it yet were the guns accompanying Tracy.
As the fire flamed up Artillery drew near, drawn by the genial glow.
“May we? Thank you! If you fellows are as wet as we are, you are wet,
indeed. That last bayou was a holy terror!”
“In our opinion this entire night’s a holy terror. Haven’t we met you
before? Aren’t you the Botetourt Artillery?”
“Yes. We’ve met a lot of people in this war, some that we liked and
some that we didn’t! You look right likable. Where—”
“Going out to Chickasaw Bayou. Pitch black night like this, only it
was raining and cold. Your mules couldn’t pull—”
“Oh, now we remember!” said Artillery. “You’re the ——th Virginia that
helped us all it could! Glad to meet you again. Glad to meet anything
Virginian.”
“You’ve been out of Virginia a long time?”
“Out of it a weary year. Tennessee, Cumberland Gap, Kentucky, and so
forth. We sing ’most everything in this army, but the Botetourt
Artillery can’t sing ‘Carry me back to Old Virginny’! It chokes
up.—What’s your county?”
Company by company, regiment by regiment, Tracy’s brigade got over the
Big Black. Foot by foot the troops in the rear came nearer the stream;
minute by minute the dragging night went by. Half seated, half lying
on the fallen trunk of a gum, Edward Cary watched the snail-like
crossing. When one dead tree burned down, they fired another. There
was light enough, a red pulsing in the darkness through which the
troops moved down the sloping bank to the ferryboat. The bank was all
scored and trampled, and crested by palmetto scrub and tall trees
draped with vines. The men stumbled as they went, they were so stiff
with fatigue. Their feet were sore and torn. There was delay enough.
Each man as he passed out of the shadow down to the boat had his
moment of red light, a transitory centre of the stage.
Public-domain text, read in full here on John Shaqi.
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