A greater appearance of comfort was observable in the princess's apartment than in her husband's, as might well be the case. It contained two large divans, the silk cushions of which were gay with gold and silver embroidery, carpets of painted felt, several trunks, and a very pretty work-basket. A small Russian mirror and the prince's armorial trophies formed the decoration of the walls. But the floor was not boarded, the walls were rough plastered, and the only provision for light and air were two little holes furnished with shutters. The princess, a woman apparently between five-and-thirty and forty years of age, was by no means fitted to sustain the Circassian reputation for beauty. Her dress had a character of its own: under a brocaded pelisse, with short sleeves and laced seams, she wore a silk chemise, which displayed more of the bosom than European notions of decorum would approve. A velvet cap, trimmed with silver, smooth plaits of hair, cut heart-shape on the forehead, a white veil falling from the top of the head and covering over the bosom, and finally, a red shawl thrown carelessly over the lap--_voila tout!_ As for the daughter, she was charming. She wore a white robe fastened round the waist by a red kazavek. Her features were delicate; she had a complexion of exquisite fairness, revealing the play of "the pure and eloquent blood" which "spoke in her cheek, and so distinctly wrought that one might almost say her body thought;" and a profusion of glossy raven tresses escaped from under her cap. Beyond all praise was the geniality of the two ladies. About the country of their visitors, their calling, and the objects of their journey, they put a thousand questions. The European costume, and especially the straw hats, interested them greatly. Yet there was a certain air of coldness and impassiveness about them, and not once did the princess smile, until a long curtain accidentally fell, and shut her out for a moment from her guests. After a short but rapid conversation the visitors asked the princess's permission to take her portrait and sketch the interior of her abode. She offered no objection. When the drawings were finished, a collation was served, consisting of fruits and cheese-cakes. In the evening, the strangers took their leave, and, on coming out of the hut, they found all the inhabitants of the _aoul_ assembled to witness their departure and do them honour. * * * * *