Mrs. Adister O'Donnell, in common with her family, had an extreme
dislike of the task of composing epistles, due to the circumstance that
she was unable, unaided, to conceive an idea disconnected with the main
theme of her communication, and regarded, as an art of conjuring, the
use of words independent of ideas. Her native superiority caused her
to despise the art, but the necessity for employing it at intervals
subjected her to fits of admiration of the conjurer, it being then
evident that a serviceable piece of work, beyond her capacity to do, was
lightly performed by another. The lady's practical intelligence admitted
the service, and at the same time her addiction to the practical
provoked disdain of so flimsy a genius, which was identified by her
with the genius of the Irish race. If Irishmen had not been notoriously
fighters, famous for their chivalry, she would have looked on them as
a kind of footmen hired to talk and write, whose volubility might be
encouraged and their affectionateness deserved by liberal wages. The
promptitude of Irish blood to deliver the war-cry either upon a glove
flung down or taken up, raised them to a first place in her esteem: and
she was a peaceful woman abhorring sanguinary contention; but it was in
her own blood to love such a disposition against her principles.
She led Patrick to her private room, where they both took seats and
he selected a pen. Mr. Patrick supposed that his business would be to
listen and put her words to paper; a mechanical occupation permitting
the indulgence of personal phantasies; and he was flying high on them
until the extraordinary delicacy of the mind seeking to deliver itself
forced him to prick up all his apprehensiveness. She wished to convey
that she was pleased with the news from Vienna, and desired her
gratification to be imparted to her niece Caroline, yet not so as to be
opposed to the peculiar feelings of her brother Edward, which had her
fullest sympathy; and yet Caroline must by no means be requested to
alter a sentence referring to Adiante, for that would commit her and the
writer jointly to an insincerity.
'It must be the whole truth, madam,' said Patrick, and he wrote: 'My
dear Caroline,' to get the start. At once a magnificently clear course
for the complicated letter was distinguished by him. 'Can I write on and
read it to you afterward? I have the view,' he said.
Mrs. Adister waved to him to write on.
Public-domain text, read in full here on John Shaqi.
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