This interlude, or rather inter-drone, repulsive to write, can hardly be
excluded from a theme dramatising Celtic views, and treating of a blood,
to which the idea of country must shine resplendently if we would have it
running at full tide through the arteries. Preserve your worship, if the
object fills your optics. Better worship that than nothing, as it is
better for flames to be blown out than not to ascend, otherwise it will
wreak circular mischief instead of illumining. You are requested simply
to recollect that there is another beside you who sees the object
obliquely, and then you will not be surprised by his irreverence. What
if, in the end, you were conducted to a like point of view? Self-worship,
it has been said, is preferable to no trimming of the faculty, but
worship does not necessarily cease with the extinction of this of
the voraciously carnal. An ideal of country, of Great Britain, is
conceivable that will be to the taste of Celt and Saxon in common, to
wave as a standard over their fraternal marching. Let Bull boo his
drumliest at such talk: it is, I protest, the thing we want and can have.
He is the obstruction, not the country; and against him, not against the
country, the shots are aimed which seem so malignant. Him the gay
manipulators propitiate who look at him through Literature and the Press,
and across the pulpit-cushions, like airy Macheath at Society, as carrion
to batten on. May plumpness be their portion, and they never hanged for
it! But the flattering, tickling, pleasantly pinching of Bull is one of
those offices which the simple starveling piper regards with afresh
access of appetite for the well-picked bone of his virtue. That ghastly
apparition of the fleshly present is revealed to him as a dead whale,
having the harpoon of the inevitable slayer of the merely fleshly in his
oils. To humour him, and be his piper for his gifts, is to descend to a
carnival deep underneath. While he reigns, thinks this poor starveling,
Rome burns, or the explosive powders are being secretly laid. He and his
thousand Macheaths are dancing the country the giddy pace, and there
will, the wretch dreads, be many a crater of scoria in the island, before
he stretches his inanimate length, his parasites upon him. The theme is
chosen and must be treated as a piper involved in his virtue conceives
it: that is, realistically; not with Bull's notion of the realism of the
butcher's shop and the pendent legs of mutton and blocks of beef painted
raw and glaring in their streaks, but with the realism of the active
brain and heart conjoined. The reasons for the division of Celt and
Saxon, what they think and say of one another, often without knowing that
they are divided, and the wherefore of our abusing of ourselves, brave
England, our England of the ancient fortitude and the future incarnation,
can afford to hear. Why not in a tale? It is he, your all for animal
Public-domain text, read in full here on John Shaqi.
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