art, and of the productions of Greek or Latin genius, where style so
eminently manifests its power. Had he found in the German genius and
literature an element of style existing by nature and ready to his hand,
half his work, one may say, would have been saved him, and he might have
done much more in poetry. But as it was, he had to try and create out of
his own powers, a style for German poetry, as well as to provide contents
for this style to carry; and thus his labour as a poet was doubled.
It is to be observed that power of style, in the sense in which I am here
speaking of style, is something quite different from the power of
idiomatic, simple, nervous, racy expression, such as the expression of
healthy, robust natures so often is, such as Luther’s was in a striking
degree. Style, in my sense of the word, is a peculiar re-casting and
heightening, under a certain condition of spiritual excitement, of what a
man has to say, in such a manner as to add dignity and distinction to it;
and dignity and distinction are not terms which suit many acts or words
of Luther. Deeply touched with the _Gemeinheit_ which is the bane of his
nation, as he is at the same time a grand example of the honesty which is
his nation’s excellence, he can seldom even show himself brave, resolute
and truthful, without showing a strong dash of coarseness and commonness
all the while; the right definition of Luther, as of our own Bunyan, is
that he is a Philistine of genius. So Luther’s sincere idiomatic
German,—such language is this: ‘Hilf lieber Gott, wie manchen Jammer habe
ich gesehen, dass der gemeine Mann doch so gar nichts weiss von der
christlichen Lehre!’—no more proves a power of style in German
literature, than Cobbett’s sinewy idiomatic English proves it in English
literature. Power of style, properly so-called, as manifested in masters
of style like Dante or Milton in poetry, Cicero, Bossuet or Bolingbroke
in prose, is something quite different, and has, as I have said, for its
characteristic effect, this: to add dignity and distinction.
Public-domain text, read in full here on John Shaqi.
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