9. There they lay for years, heaped up at random, a mine of treasures which made the mouths of scholars water, but appalled them by the amount of labor, nay, actual drudgery, needful only to sift and sort them, even before any study of their contents could be begun. At length a young and ambitious archaeologist, attached to the British Museum, George Smith, undertook the long and wearisome task. He was not originally a scholar, but an engraver, and was employed to engrave on wood cuneiform texts for the magnificent atlas edited by the British Museum under the title of "Cuneiform Inscriptions of Western Asia." Being endowed with a quick and enquiring mind, Smith did not content himself, like most of his colleagues, with a conscientious and artistic, but merely technical reproduction; he wished to know _what_ he was doing and he learned the language of the inscriptions. When he took on himself the sorting of the fragments, it was in the hope of distinguishing himself in this new field, and of rendering a substantial service to the science which had fascinated him. Nor was he deceived in this hope. He succeeded in finding and uniting a large quantity of fragments belonging together, and thus restoring pages of writing, with here and there a damaged line, a word effaced, a broken corner, often a larger portion missing, but still enough left to form continuous and readable texts. In some cases it was found that there was more than one copy of this or that work or document, and then sometimes the parts which were hopelessly injured in one copy, would be found whole or nearly so in another.