Chantemerle : $b A romance of the Vendean WarBroster, D. K. (Dorothy Kathleen)
History
Chantemerle : $b A romance of the Vendean War
Broster, D. K. (Dorothy Kathleen)
France -- History -- Revolution, 1789-1799 -- Fiction; France -- History -- Wars of the Vendée, 1793-1832 -- Fiction
It was some time since the Marquis had visited his cousin’s apartments,
and his never-failing sensation of having strayed by mistake into
those of a member of the other sex fell on him more strongly than
usual. Yet Madame de Château-Foix, though by no means indifferent to
her surroundings, had not, in her spacious bed-chamber at home, a
quarter of the silk and satin luxury which reigned in her nephew’s
room in Paris. Her toilet-table was not so garnished with costly
appurtenances, nor, in the country, was it possible to supply her all
the year round with roses. She had indeed recently replaced her huge
four-poster, solemn as the tomb and potentially quite as airless, by
the more fashionable bed of the time, with its drapery falling from
one central point. But—whether inspired by hygienic or æsthetic
considerations—her nephew reposed in a couch at once more elegant and
more airy than either. The slender fluted pillars which supported the
brocaded tester, and whose gilt was now toned down to exactly the
requisite paleness, the curtains of thin silk-apple-green and white
deftly caught to them by cords which were obviously but rarely untied,
the fine lace-bordered sheets and embroidered coverlet—whereon, too,
there slumbered at the moment a magnificent Persian cat—might very
well have enshrined some much-courted beauty of the last reign.
Possibly they had done so, for at the head was stretched a delicate
vista of painted silk covered with fluttering trains of doves and
laughing Cupids and butterflies, of which the lowest cherub had the
effect of balancing himself on the curved rim of the gilded woodwork
immediately above the pillows, while from his plump fingers a slow
rain of the palest poppies floated down, presumably upon the sleeper’s
head. A group of his fellows, sustaining themselves in their downward
flight on ludicrously inadequate pinions, tendered him fresh garlands
of the flowers. The exquisite handling of this embellishment, more
than atoning for the artificiality of its design, might almost have
surprised a spectator into an expectation of seeing, somewhere on the
bed below it, one or two of the smooth and shining poppy petals.
The present critic, however, saw nothing there beyond his kinsman’s
brown curls—which still bore traces of last night’s powder—tossing on
a broad pillow edged with Valenciennes. Their owner did not look in
the least sleepy, and at once jerked himself with alacrity from his
recumbent position on to his right elbow.
“Good-morning!” he exclaimed. “I did not expect you so early. Jasmin,
set a chair for Monsieur le Marquis, and bring some chocolate.”
Public-domain text, read in full here on John Shaqi.
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