Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's HandbookBrewer, Ebenezer Cobham
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Character Sketches of Romance, Fiction and the Drama, Vol. 3: A Revised American Edition of the Reader's Handbook
Brewer, Ebenezer Cobham
Allusions; Fiction -- Dictionaries; Literature -- Dictionaries
_Mirror_ (_Venus’s_), generally called “Venus’s looking-glass,” the same
as Merlin’s magic mirror (_q.v._).[TN-13]
_Mirror_ (_Vulcan’s_). Vulcan made a mirror which showed those who
looked into it the past, present, and future. Sir John Davies says that
Cupid handed this mirror to Antin´ous, when he was in the court of
Ulysses, and Antinous gave it to Penel´opê, who beheld therein the court
of Queen Elizabeth and all its grandeur.
Vulcan, the king of fire, that mirror wrought ...
As there did represent in lively show
Our glorious English court’s divine image
As it should be in this our golden age.
Sir John Davies, _Orchestra_ (1615).
=Mirror of King Ryence=, a mirror made by Merlin. It showed those who
looked into it whatever they wished to see.--Spenser, _Faëry Queen_,
iii. (1590).
=Mirror of Knighthood=, a romance of chivalry. It was one of the books in
Don Quixote’s library, and the curé said to the barber:
“In this same _Mirror of Knighthood_ we meet with Rinaldo de
Montalban and his companions, with the twelve peers of France, and
Turpin, the historian. These gentlemen we will condemn only to
perpetual exile, as they contain something of the famous Bojardo’s
invention, whence the Christian poet Ariosto borrowed the
groundwork of his ingenious compositions; to whom I should pay
little regard if he had not written in his own language
[_Italian_].”--Cervantes, _Don Quixote_, I. i. 6 (1605).
=Mirror of all Martial Men=, Thomas, earl of Salisbury (died 1428).
=Mirrour for Magistraytes=, begun by Thomas Sackville, and intended to be
a poetical biography of remarkable Englishmen. Sackville wrote the
“Induction,” and furnished one of the sketches, that of Henry Stafford,
duke of Buckingham (the tool of Richard III.). Baldwynne, Ferrers,
Churchyard, Phair, etc., added others. Subsequently, John Higgins,
Richard Nichols, Thomas Blenerhasset, etc., supplied additional
characters; but Sackville alone stands out pre-eminent in merit. In the
“Induction,” Sackville tells us he was conducted by Sorrowe into the
infernal regions. At the porch sat Remorse and Dread, and within the
porch were Revenge, Miserie, Care, and Slepe. Passing on, he beheld Old
Age, Maladie, Famine, and Warre. Sorrowe then took him to Achĕron, and
ordered Charon to ferry them across. They passed the three-headed
Cerbĕrus and came to Pluto, where the poet saw several ghosts, the last
of all being the duke of Buckingham, whose “_complaynt_” finishes the
part written by Thomas Sackville (1557). (See BUCKINGHAM.)
⁂ Henry Stafford, duke of Buckingham, must not be mistaken for George
Villiers, duke of Buckingham 150 years later.
Public-domain text, read in full here on John Shaqi.
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