Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
[7] Clara Benette, who plays such an important part in this romance,
has been generally accepted as a sketch of Jenny Lind. The
resemblances are not very close, however. At the time of the opening
of the story she had not made her _début_, and she did not appear in
England until 1847, the year of Mendelssohn's death. It is true,
however, that she was an intimate friend of the composer and followed
his advice explicitly, and that he was largely instrumental in
introducing her to the English public. She also founded a musical
scholarship in London in his memory.
CHAPTER XIII.
Next time we met we began the anthem after our first exercise.
Laura[8]--by this time she was always Laura in my own world--nodded at
me. She had on a green silk frock to-night; and surely no color could
have so enhanced the clarified brightness of her strange eyes. Davy
was pleased with us, but not with our enunciation of certain
syllables. He requested us as a favor to practise between that meeting
and the next. There were a great many assents, and Laura was very open
in her "yes." Miss Benette whispered to herself, "Of course." And I,
unable to resist the opportunity, whispered to her, "Does he mean that
we are to practise alone, or one by one?"
"Mr. Davy will lend us our parts, and I daresay will copy them on
purpose," she replied. "It will be better to practise alone, or at
least one or two together, than a great many, or even a few. We can
more easily detect our faults."
"How well she speaks!" I thought,--"quite as prettily as Millicent;
her accent is very good, I am sure;" and I again addressed her. "I do
not think you have any faults at all,--your voice seems able to do
anything."
"I do nothing at all with it, it seems to me, and that I have very
little voice at present. I think we had better not talk, because it
seems so careless."
"Talk to me," broke in Laura from beyond Miss Benette; but I would
not,--I steadily looked in front, full of a new plan of mine. I must
explain that we proceeded slowly, because Davy's instructions were
complete,--perhaps too ideal for the majority; but for some and for me
there was an ineffaceable conviction in every novel utterance.
Just before we separated, I ventured to make my request. "Miss
Benette!" I said, and she almost stared, quite started to find I knew
her name, "Mr. Davy told me who you were,--will you let me come and
practise with you? He will tell you my name if you must know it, but I
should so like to sing with you,--I do so admire your voice." I spoke
with the most perfect innocence, at the same time quite madly wishing
to know her; I did not mean to be overheard, but on the instant Laura
looked over.
"You don't ask _me_."
"Because I don't care about your voice," I answered, bluntly. She
again gazed at me brightly, her eyes swimming.
"Oh, hush!" whispered Miss Benette; "you have hurt her, poor little
thing."
"How very good you are!" I returned, scarcely knowing what to say. "I
always speak the truth."
Public-domain text, read in full here on John Shaqi.
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