Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
It was no absurd notion of relative inferiority with which I surveyed
it, I was pained at the positive fact that the person to whom I had
taken such a fancy should be obliged to remain where I felt as if I
should never be able to breathe. I lingered but a moment though, and
then I touched a little heavy, distorted knocker that hung nearly at
the bottom of the door,--how unlike, I thought, to Lenhart Davy's tiny
castle under lock and key! Presently the door was opened by a person,
the like of whom I had never seen in all my small experience,--a
universal servant, required to be ubiquitous; let this description
suffice. I asked for Miss Benette. "The first door to the right,
upstairs," was the reply; and passing along a dark entry, I began to
ascend them, steep and carpetless. I seemed, however, to revive when I
perceived how lately the wooden steps had been washed; there was not a
foot-mark all the way up to the top, and they smelt of soap and water.
I found several doors to embarrass me on the landing, all painted
black; but I heard tones in one direction that decided me to knock. A
voice as soft as Millicent's responded, "Come in."
Oh, how strange I felt when I entered! to the full as strange as when
I first saw Davy's sanctum. No less a sanctum this, I remember
thinking, to the eyes that behold the pure in heart. It was so
exquisitely tidy, I felt at once that my selfish sensibilities had
nothing to fear. The room was indeed small, but no book walls darkened
gloriously the daylight; the fireplace was hideous, the carpet coarse
and glaring, the paper was crude green,--I hate crude greens more than
yellow blues,--and the chairs were rush-bottomed, every one. But she
for whom I came was seated at the window, singing; she held some piece
of work in her hand, which she laid upon the table when I entered.
Pardon my reverting to the table; I could not keep my eyes from it. It
was covered with specimens of work,--such work as I had never seen, as
I shall never see again, though all my sisters could embroider, could
stitch, could sew with the very best. She did not like me to look at
it though, I thought, for she drew me to the window by showing me a
chair she had set for me close beside her own. The only luxury amidst
the furniture was a mahogany music-stand, which was placed before our
two seats. One part lay upon the stand, but it was not in Lenhart
Davy's autography.
"Did you copy that part yourself, Miss Benette?" said I, unable to
restrain the question.
"Yes; I thought it too much that Mr. Davy should copy all the parts
himself for us."
"Does he?"
"Oh, yes; did you not know it? But we must not talk, we must work. Let
us be very careful."
"You show me how; please to sing it once alone."
Public-domain text, read in full here on John Shaqi.
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