Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
At this distance of time, with the mists of boyish inexperience upon
my memory of myself, I can only advert to the issues of that evening
as they appeared. As they are, they can only be read where all things
tell, where nothing that has happened shall be in vain, where mystery
is eternal light. How strangely I recall the smothered sound, the
long-repressed shout of rapture, that soared and pierced through the
fallen and folded curtain,--the eminent oblivion of everything but him
for whom it was uttered, or rather kept back. For the music bewitched
them still, and they could no more realize their position in front,
even among the garlanded tiers, than we behind, stumbling into regions
of lampless chaos.
I felt I must faint if I could not retreat, and as instinctively I had
sought for Maria's hand. I found it, and it saved me; for though I
could not hear her speak, I knew she was leading me away. I had closed
my eyes, and when I opened them we were together again in the little
dressing-room that had been devoted to us alone, and in which we had
robed and waited.
"Oh, Carlino!" said Maria, "I hope no one is coming, for I feel I must
cry."
"Do not, pray!" I cried, for her paleness frightened me; "but let me
help you to undress. I can do that, though I could not dress you, as
the Chevalier seemed to think."
For the Chevalier had slyly entered beforehand and had himself
invested her with the glittering costume. I was still in a dream of
those elfin hands as they had sleeked the plumes and soothed the
spangled undulations of the scarf, and I could not bear her to be
denuded of them, they had become so natural now. I had stripped off my
own roseate mantle and all the rest in a moment, and had my own coat
on before she had moved from the chair into which she had flung
herself, or I had considered what was to be done next. I was running
my fingers through my hair, somewhat distraught in fancy, when some
one knocked at the door. I went to it, and beheld, as I expected, our
Ariel,--_unarielized_ yet, except that he had doffed his wings.
"Is she tired?" he whispered softly; "is she very tired?" And without
even looking at me, he passed in and stood before her.
"Thank you for all your goodness!" said he, in the tenderest of all
his voices, no longer cold, but as if fanned by the same fire that had
scorched his delicate cheek to a hectic like the rose fresh open to
the sun.
"And you, sir, oh you!" Maria exclaimed with enthusiasm, lifting her
eyes from all that cloud of hair, as twin sunbeams from the dark of
night. "Oh, your music! your music! it is of all that is the most
divine, and nothing ever has been or shall be to excel it. It breaks
the heart with beauty; it is for the soul that seeks and comprehends
it, all in all. And will you not, as you even promised, reform the
drama?"
Public-domain text, read in full here on John Shaqi.
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