Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
I gave him, too, my mother's ring,
that I had always kept warm in my bosom; and I never even lamented
that he was departed, because I knew I should be his forever. We had a
long, long talk,--of feelings and fears and mysteries, of the flowers
of heaven and earth, of glory and bliss, of hope and ecstasy. We
poured out our hearts together, and did not even trouble ourselves to
say we loved. I think he was there three hours; but I sent him away
myself, just in time to be quite ready, and not at all in a tremble,
for my father's supper. Papa came home by sunset, much later than
usual, and I tried hard to wake up, but was as a wanderer in sleep,
until he took from his pocket a parcel and gave it me to open. He was
in great good humor to-night, for he had heard of my brother's success
at the Académie; but it was not my brother who sent the parcel, which
contained two tickets for a grand concert in Paris the next morning,
and a little anonymous billet to beg that we would go, I and my
father.
"My father was much flattered, and still more because there was a
handful of gold to pay the expenses of our journey. This settled the
matter; we did go in the diligence that night. I took my best frock
and gloves, and we slept at a grand hotel for once in our lives, and
supped there, and breakfasted the next morning before setting out for
the concert. When I walked into the streets with my father I envied
the ladies their bonnets,--for I had not even my mantilla, it was too
shabby; and I wore alone a wreath of ivy that I had gathered from
under that very tree at home, and I was thinking too seriously of one
only person to wish to see or to be seen. We went into the very best
places, but I thought as I sat down how I must have changed in a short
time; for a little while before I would have almost sold myself to go
to this same concert, and now I did not care. There was a grand vocal
trio first, and then a fantasia for the harp, and then a tenor solo.
But next in the programme came one of Fesca's solos for the violin;
and when I saw the violinist come up into the front, I fell backwards,
and should have swooned had he not begun to play. His tones sustained
me, drew me upwards; it was Florimond,--my Florimond; mine then as
now."
"I thought it would turn out so," I exclaimed, rudely enough. "But,
Maria, when you said music had nothing to do with love, I think you
were mistaken, or that you misunderstood yourself; for though I can't
express it, I am sure that our being musical makes a great difference
in the way we feel, and that though we don't allude to it, it will go
through everything, and make us what we are."
"Perhaps you are right, and, Carl, I should not like to contradict
you; but I know I should have loved Florimond if he had not been a
musician,--if he had been a shoemaker, for instance."
"Yes, because he still might have been musical; and if the music had
remained within him, it might have influenced his feelings even more
than it does now."
Public-domain text, read in full here on John Shaqi.
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