DEAD MARCH. From the oratorio _Saul_. _Handel._ See p. 61. DEATH OF NELSON (_D.C._ 52, _D. & S._ 48, _O.M.F._ iv. 3) See p. 116. _J. Braham._ Too well the gallant hero fought, For England, home, and beauty. DI PIACER (_S.B.T._ 1) _Rossini._ A favourite air from the opera _La Gazza Ladra_. DOWNFALL OF PARIS See p. 31. DRAGON OF WANTLEY (_D.C._ 38) An eighteenth-century popular burlesque opera. Words by _H. Carey_, music by _Lampe_. DRINK TO ME ONLY WITH THINE EYES (_O.M.F._ iii. 14) Words by _Ben Jonson_. The composer is unknown. The air was originally issued as a glee for three voices. DUMBLEDUMDEARY (_S.B.S._ 10) A refrain rarely found in old songs. It occurs in 'Richard of Taunton Dean.' Also (as in the reference) the name of a dance. EVENING BELLS (_D.C._ 38) Duet by _G. Alexander Lee_. Come away, come away, evening bells are ringing, Sweetly, sweetly; 'tis the vesper hour. FARE THEE WELL, AND IF FOR EVER (_O.C.S._ 58) Words by _Byron_. Included in 'Domestic Pieces.' Fare thee well, and if for ever, Still for ever, fare thee well; Even though unforgiving, never 'Gainst thee shall my heart rebel. About 1825 the words were set to an air from Mozart's _La Clemenza di Tito_. There are original settings by Parke, S. Webbe, and six other composers. FILL THE BUMPER FAIR (_N.T._) Moore's _Irish Melodies_, air 'Bob and Joan.' FLOW ON, THOU SHINING RIVER (_S.B.T._ 1) Moore's _National Melodies_. Said to be a 'Portuguese Air.' The melody has been utilized as a hymn-tune. FLY, FLY FROM THE WORLD, MY BESSY, WITH ME (_S.B.S._ 2) Words and music by _T. Moore_. FOR ENGLAND See 'Death of Nelson.' FOR ENGLAND, HOME, AND BEAUTY See 'Death of Nelson.' FOR THE PORT OF BARBADOS, BOYS (_D. & S._ 15) Original (?) See p. 122. FROM SPORT TO SPORT (_O.C.S._ 58) From 'Oh no, we never mention her.' Words by _T.H. Bayly_. _H.R. Bishop._ From sport to sport they hurry me, To banish my regret; And when they win a smile from me, They think that I forget. GEE UP, DOBBIN (_D.C._ 12) In the Burney Collection is a tune 'Gee Ho, Dobbin.' Also in _Apollo's Cabinet_, 1757, Vol. II, and _Love in a Village_, 1762. The tune was frequently used for ephemeral songs. It is doubtful if Dickens would know this song, the title of which has passed into a common phrase. GLORIOUS APOLLO (_O.C.S._ 13, 56) _S. Webbe._ The title of this glee probably suggested the name of the 'Glorious Apollers.' See p. 124. GO WHERE GLORY WAITS THEE (_M.C._ 11) ('Do they often go where glory waits 'em?' _O.C.S._ 58) Moore's _Irish Melodies_, set to the air 'Maid of the Valley.' GOD BLESS THE PRINCE OF WALES (_U.T._ 29)