Charlotte's InheritanceBraddon, M. E. (Mary Elizabeth)
General
Charlotte's Inheritance
Braddon, M. E. (Mary Elizabeth)
Fiction
The brother, dying, advertises for the sister, dead; and who will answer
that letter, think you? Some good Christian soul who has pity for the
sick man, and who will not permit him to languish in waiting the sister
who will come to him never. For us of the Roman Catholic religion the
duty of charity is paramount. You of the Anglican faith--bah, how you are
cold, how you are hard, how you are unpitiable!
My notice appears once, my notice appears twice, three times, four times,
many times. I occupy myself about my other business, and I wait. I do not
wait unusefully. In effect, a letter arrives at last at the address of
the dying, from a lady who knew Susan Meynell _before her marriage with
M. Lenoble._
Think you not that to me this was a moment of triumph? _Before her
marriage with M. Lenoble!_ Those words appear under my eyes in the
writing of the unknown lady. "It is found!" I cry to myself; and then I
hasten myself to reply to the unknown lady. Will she permit me to see
her?
With all politeness I make the request; with all politeness it is
answered. The lady calls herself Mademoiselle Servin. She resides in the
street Grande-Mademoiselle, at the corner of the Place Lauzun. It is of
all the streets of Paris the most miserable. One side is already removed.
In face of the windows of those houses that still stand they are making a
new Boulevard. Behind they are pulling down edifices of all kinds in the
formation of a new square. At the side there is a yawning chasm between
two tall houses, through which they pierce a new street. One sees the
interior of many rooms rising one above another for seven stories. Here
the gay hangings of an apartment of little master; there the still
gaudier decoration of a boudoir of these ladies. High above these
luxurious salons--ah, but how much more near to the skies!--one sees the
poor grey paper, blackened and smoky, of a garret of sempstress, or
workman, and the hearths black, deserted. These interiors thus exposed
tighten me the heart. It is the autopsy of the domestic hearth.
I find the Mademoiselle Servin an old lady, grey and wan. The house where
she now resides is the house which she has inhabited five-and-thirty
years. They talk of pulling it down, and to her the idea of leaving it is
exquisite pain. She is alone, a teacher of music. She has seen
proprietors come and go. The _pension_ has changed mistresses many times.
Students of law and of medicine have come and passed like the shadows of
a magic lantern; but this poor soul has remained still in her little room
on the fourth, and has kept always her little old piano.
It was here she knew Susan Meynell, and a young Frenchman who became in
love with her, for she was beautiful like the angels, this lady said to
me.
Public-domain text, read in full here on John Shaqi.
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