Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“‘Tell me, have you written? Do they know? I have waited so long for
some message.’
“‘Yes, I have wrote; and they do know, and _la mère n’est pas morte_, as
I tell you, but lives in Millfield the same. More I tell you _plus
tard_,’ was Eugenie’s reply.
“And the next moment Anna had fainted.
“The shock was too great for her, and with a little gasping cry, which
sounded like ‘mother,’ she fell across Eugenie’s lap, where she lay
unconscious, while the excitable Frenchwoman screamed lustily for help.
Celine and Fred had just come out upon the open gallery which ran
entirely round the court and connected with the sleeping rooms on the
third floor.
“Both heard the cry, and both started for the rescue, but _la femme
Anglaise_ outstripped Celine, and taking Anna in her arms as if she had
been a child, exclaimed:
“‘Where is her room? Let me take her to it.’
“‘_Oui, oui_, I show you,’ Celine replied, as she led the way to her
mistress’s room, ejaculating ‘_Mon Dieu!_ what strength slim people must
have to carry madame so.’
“Oh, how tenderly Fred held his unconscious sister, never thinking of
her weight, thinking only that he had her in his arms, and could press
his boyish lips against hers, and hug her to his bosom. Very gently he
laid her upon the bed, and then stood back while restoratives were
applied, until she opened her eyes and showed signs of returning
consciousness.
“‘She hold _l’enfant_ too long in her weak state, and just fainted
sudden,’ Eugenie explained to Madame Verwest, who cared for Anna until
she seemed wholly herself and declared that she was as well as ever, but
would like to be rather quiet, with no one to sit with her but Madame
Arschinard.
“‘She never tires me,’ she said.
“And so the two had tea together in Anna’s room, and were waited upon by
Celine, so there was no chance for further conversation until the next
morning after the late breakfast, when Eugenie invited Anna to her room,
where the _soi-disant_ Fanny was busy arranging her mistress’s wardrobe
in the closet and drawers.
“At her Anna did not even glance, but she knew she was in the room, and
felt anxious for her to leave, as the presence of a third party would
necessarily prevent her from questioning Eugenie with regard to
Millfield. But Fanny was apparently in no hurry to leave, and it seemed
to Anna that she was purposely dawdling and taking a long time to
accomplish a little.
“Anna was occupying the seat which Eugenie offered her, near the window,
and directly facing Fanny, whose movements could all be seen if one
chose to watch her; and despairing of her quitting the apartment, Anna
began at last to watch her as she moved from box to closet or shelf,
sometimes with her face turned full toward the window where Anna sat,
and sometimes with her back that way. At last, as Anna made no sign of
recognition, Eugenie said:
“‘Fanny, have you found that box of bon-bons?’
Public-domain text, read in full here on John Shaqi.
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