Porcelain -- Collectors and collecting; Porcelain, English; Pottery -- Collectors and collecting; Pottery, English -- History
It must be observed that much of the earlier Coalport was unmarked,
while—we blush to have to print it—some of the ware imitated the double
“L” mark of Sèvres, and the “C” and anchor of Chelsea and the crossed
swords of Dresden, so successfully as to delude the unwary collector.
The celebrated egg-shell porcelain of Coalport ranks among the most
marvellous china ever produced in this country. It is rarely marked
with any letters or signs, but it carries upon it a signature of
perfection of manufacture and exquisite symmetry of design such as no
other factory dared emulate, and no other factory has since approached.
These tiny cups and saucers (the cup follows Chinese models by having
no handle) are gems of ceramic art, and happy is the collector who can
number one or two good specimens in his china cabinet.
The well-known “Willow Pattern,” first manufactured here, is from a
Chinese model. It is still manufactured by the Coalport Company, and
is one of their stock patterns. It appears on a list of some forty
patterns, which can be and are manufactured without the use of lead.
Readers may find the words “Leadless Glaze” on some of their quite
recent purchases in modern china. The terrible effects of lead on the
workpeople in china factories is a subject which has received the
attention of Parliament (see p. xxiii). But in passing it is highly
satisfactory to find that the Coalport Company turn out, without
special order, forty patterns entirely “leadless.” Any one who is
specially desirous of having “leadless glaze” on any other of the
Coalport ware may do so by ordering it.
To come down to the very latest marks, there are three that have been
in use. The first in the seventies, the second in the eighties, and
the last, now solely used, was adopted some twelve years ago with the
addition of the word “England” to meet the requirements of the American
Tariff Act, which made it compulsory for foreign goods to be thus
stamped.
[Illustration: OLD COALPORT VASE.
(Decorated in pink and white. Marked CBD.)]
The first has the words “Salopian, Coalport,” in a scroll, which has
within it the old mark of Caughley, a crescent with “A.D. 1750” beneath
it, and in addition the letters “C. S. N.,” in scroll as before alluded
to, and having the date, “A.D. 1790,” underneath. This is a very
complicated mark, and is not generally known.
The second is a crown with the word “Coalport, A.D. 1750,” underneath.
The third is the same with the addition of the word “England.”
In conclusion we may quote the fact, to give our readers some idea of
the quality of the ware now being exported by the Coalport Company,
that some of the dinner ware sent to America costs no less a sum than
£5 per plate, while there are even more sumptuous and magnificent
specimens of their manufacture which cost £15 each plate. One of these,
amongst others, is a plate with a coloured design painted after Sir
Joshua Reynolds’ celebrated portrait of Mrs. Robinson.
Public-domain text, read in full here on John Shaqi.
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