Porcelain -- Collectors and collecting; Porcelain, English; Pottery -- Collectors and collecting; Pottery, English -- History
About the date of the International Exhibition of 1861, many purely
English novelties were attempted. Mistletoe, holly, and simple popular
designs were then in favour and were produced. Nobody could possibly
mistake the homely robin or the holly-wreath decoration for that of
any other country than ours. There is a suggestion of roast beef and
plum-pudding and Christmas fare. All purely English art is homely,
whether it be the Staffordshire potter’s farmyard quadrupeds that adorn
the cottage mantelshelf, or the old blue dinner services of our great
grandmothers. It is a debatable point if that is the highest art, but
there it is. Ruskin would have had some hard things to say about it,
and maybe William Morris preferred the potsherd of an Italian shepherd.
The fact remains that it is _our_ art, and whatever we may in our
innermost hearts wish it to be, we have to take it and study it as we
find it.
Before leaving the subject of these later and more modern chinas we may
say, in passing, that the firm of Messrs. Copeland have done more than
any other existing firm to maintain the traditions of a great factory.
They have adhered to early designs, and all through the nineteenth
century their record has been an exceedingly high one. It was Messrs.
Copeland who first introduced, in 1845, their Parian ware, a very near
approach to true porcelain. The writer has seen a Copeland and Garrett
plate which in appearance was fully equal to Derby at its best period.
CHARACTERISTICS OF SPODE CHINA.
Spode ware is well potted, and feels to the touch like turned ivory.
It can readily be distinguished from any of the glassy porcelains. It
is light in weight. In design it follows Japanese more than Chinese
models. The glaze is very even and smooth.
SALE PRICES.
SPODE.
Vase and cover, octagonal-shape, decorated £ s. d.
with flowers in Oriental taste
in colours and gold, 24 in. high.
Christie, January 14, 1902 5 15 6
Vases, five, purple, crimson, and gilt
decoration. Foster, January 9, 1902 9 5 0
Basket and cover, dark blue and gold
ground, and painted with bouquets
of flowers. Sotheby, February 24, 1902 6 2 6
Dishes, two, oblong shaped, decorated
in the Japanese taste, blue, red,
and gold. Hepper & Sons, Leeds,
February 5, 1902 3 15 0
Spill-vases, pair, gold ground, painted
in flowers. Hepper & Sons, Leeds,
February 5, 1902 2 0 0
Cake-plates, three, gilt and painted landscapes,
“The Church and Castle of
Scurlogstown, Co. of East Meath,”
“The Remains of Wolvesey Castle,”
and “The Bridge and Priory, Newtown,
Co. of East Meath” (marked
“Spode”). Edwards, Son & Bigwood,
Birmingham, May 13, 1902 10 10 0
Public-domain text, read in full here on John Shaqi.
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