Buncho's work attracts the observer with a charm different from that of any other Ukioye artist. A curious mannerism in his way of drawing faces and a fascinating perverse grace in the attitudes of his figures mark his prints. Practically all his work is in the _hoso-ye_ form. His subjects are chiefly young male actors in the rôles of women. Harunobu's influence, manifest in Plate 22, brought him grace but not sweetness. There is an astringent quality in his work that prevents it from ever being serene. His figures, whose line-work is the apotheosis of suavity and studied refinement, are arched into slightly strained and tortured attitudes; complex forces seem to dominate them like unseen winds; consuming or delicate passions move obscurely through their limbs and faces. Their heads poise at unnatural angles as if consciously turning their indifferent eyes from the spectacle of common things toward a secret and hypnotizing world of their own. These alien beings haunt one; it seems as if they had some mystery to reveal, some disturbing wonder to communicate could one but make them speak. [Illustration: BUNCHO: COURTESAN AND HER ATTENDANT IN SNOWSTORM. Size 12 × 5½. Signed _Ippitsusai Buncho ga_. Mansfield Collection. _Plate 22._] Part of Buncho's strangeness lies in the fact that he seeks for his figures not a human but an abstract and geometrical grace. His famous print, often reproduced, of the actor Segawa Kikunojo as a lady in white carrying an orange umbrella beneath a willow-tree, is a study in the harmonics of pure line; to this end every other element of representation has been sacrificed. Line exists here not merely to bound a form but for its own inherent beauty. Buncho is the greatest of all masters of the geometry of lines and spaces; these have, as he arranges them, the inevitability and clarity of a mathematical demonstration. His use of colour is equally notable and strange. By employing tints that are almost discords he produces arresting and fascinating effects. His combinations of orange and slaty grey, or dull red and slaty blue and pale yellow, or pink and purple, have an uncanny vibrancy that makes them stand out in one's memory.