In the reign of George III (1760-1820) the table clock shows greater
variety. It was a restless time, filled with wars and political
struggles--a reign notable for the American Declaration of Independence
on 4th July 1776, for the beginning of the French Revolution in 1789,
for the "darkest hour in English history," the planned invasion of
England by French and Spanish fleets, and contemplated invasion of
Ireland by the Dutch fleet. In this reign, too, there came what may be
termed the industrial revolution due to the introduction of machinery
and steam-power. The growing wealth of the middle classes demanded
more luxurious furniture. Merchants and manufacturers, shipowners and
traders with India and the East, Lancashire cotton-spinners and
mill-owners founded a new plutocracy. Bristol and Liverpool traders
in "blackbirds," as the iniquitous slave trade was impiously termed,
amassed fortunes. Although Pitt advocated the emancipation of slaves,
under his rule "the English slave trade more than doubled."
[Illustration: AMERICAN CLOCK.
With case of fine design in form of lyre, richly gilded and surmounted
by eagle.
Makers, Savin & Dyer (Boston). 1780-1800.
(_By courtesy of the Metropolitan Museum of Art, New York._)]
[Illustration: STAFFORDSHIRE COPPER LUSTRE WARE VASE.
With decoration in Chinese style, blue and white, and painted clock
dial with no works. Early nineteenth century. The cottager's desire to
possess a mantel clock satisfied.
(_In collection of author._)]
Two George III clocks, in date 1760, by Johnson and by Thomas Hill, are
illustrated (p. 189). One shows the recurrence of an old form with the
handle at the top of the case, having only as a new feature delicate
brackets--a female bust, suggesting in miniature the figure-head of
some Indiaman. It is a pleasant ornament one would like to have seen
more often adopted. The adjacent clock, by Thomas Hill, evidently
derives its design from France, and is a forerunner, in its departure
from the square case, of the style which Sheraton, in his adaptation
from the French, made at a later date.
Public-domain text, read in full here on John Shaqi.
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