Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
The story of the evolution of the grate and the hearth and its
appointments is of extreme interest. The grate itself was at times
ornate with polished brass beads and canopies. The older type of
fireplace was mostly fitted with iron appointments, but even when
andirons were upon the hearth and logs of timber crackled as they
blazed up the wide old chimney, the dogs or chief ornaments of the
hearth were often of brass or bronze. When hob-grates and registers
came in fashion, ormolu and brass ornament contrasted with polished
steel. A typical parlour hob-grate of the eighteenth century would be
ornate with brasses on the hobs, a pierced brass fender on the stone
slab, and a polished brass ashes pan in front of the bars to hide
the cinders. The trivet or revolving stool, small or large, was in the
fender or on the hearth, and massive fire brasses (not irons) filled
the empty spaces.
The brass trivet, revived in modern times, was originally a
three-legged stool made of metal, on which a kettle or similar vessel
could be placed near to the fire. The convenience of being able to put
the trivet stool quite close up to the bars suggested to the maker of
such things the addition of hooks by which the trivet could be hung
upon the bar, thereby bringing it nearer to the heat. In later years
the trivet developed a handle for the convenience of moving it about,
and especially of hanging it upon the bars, and in the latest completed
form with turned wood handle, iron legs, and brass fretted top, the
trivet was regarded as an essential accompaniment to the fire-grate.
From the three-legged stool with hooks or handle there came a minor
development in the form of a light portable trivet without legs, which
could only be used when hung on the bars. These varieties presented the
worker in brass with an excellent opportunity of showing his decorative
skill, and brass trivet tops soon became very ornamental. Fig. 36
represents a finely-pierced brass trivet, with tall legs and pointed
feet and a turned wood handle. On the top of a baluster-shaped device,
supported by dolphins, Atlas is represented bearing on his shoulders
the globe. The date of the trivet is 1668, and on the top is also
engraved the owner's monogram. Another very interesting example comes
from Derbyshire, and is shown in Fig. 38. Yet another example is given
in Fig. 37, this being a more elaborate design. In the centre of the
plate an eagle is represented with outstretched wings. The construction
of this trivet is somewhat unusual in that it is strengthened with a
cross-bar; the feet are of spear-head shape. All three examples are to
be seen at South Kensington.
Public-domain text, read in full here on John Shaqi.
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