Hallmarks -- England; Plate -- Collectors and collecting; Sheffield plate
It is natural therefore that the Sheffield silver workers saw in the
Irish dish ring a design worthy of imitation; and imitate it they
did. In consequence a great number of plated replicas were exported
to Ireland. They have an interest, and the example illustrated (p.
175) shows the class of work the Sheffield craftsmen turned out in
emulation of their Irish silver prototypes. It is an ordinary pierced
design embellished with festoons. Some of the Sheffield examples were
finely pierced and chased in a manner no less perfect than the same
class of work one finds on the sugar pails, the mustard pots, and
the salt cellars of the best period. The Butter Dish illustrated (p.
175) fully exemplifies this type of work at its best. It is oval and
finely pierced with an unusual design giving in silhouette the effect
of diaper ornament. It is on four ball and claw feet, and the lid is
chased and is surmounted by a pineapple. The handles are twisted.
These vessels, like the others enumerated above with pierced work, are
furnished with blue glass liners, and these collectors are fortunate
who find bargains with the original glass liners.
=Inkstands and Taper Holders.=--The old Sheffield plated inkstand
is beloved by collectors. The oval tray was always an elegant piece of
work, either pierced with fine running design over an extended surface
as border top and bottom and often chased with medallions. The three
examples illustrated (p. 179) are from an eighteenth century Pattern
Book issued in 1792 by Messrs. J. Parsons & Co. of Sheffield. Written
in ink on the first page for information of continental buyers is "_Jn.
Green escompte 30%_." Green was one of the partners of the firm. This
little book in paper covers has no less than eighty-four copper plate
engravings, and for the delectation of the later collector the prices
are written in ink throughout. The prices of the examples illustrated
are "21s. Each" the two top ones, and "30s. Each" the lower example.
It will be seen that the latter has three pots. The pounce pot was
always a necessary portion to the old inkstand, being used as a
sifter in the days before blotting paper was invented. Fine sand was
dusted over the writing. It would appear that the pounce pot with its
perforated lid is on the left in all the three examples. The centre
pot in the lowest inkstand was additional, though not as one might at
first assume for a different coloured ink as the lid has not the same
cover as those for ink with a tiny hole in centre. It was apparently
a receptacle for some of the appurtenances of the writing table,
certainly not pens, for steel nibs were not then invented, and every
one wrote with a quill pen which he could sharpen with a penknife.
Nowadays the art of cutting a quill by hand is one of the lost arts.
[Illustration: DESIGNS OF OLD SHEFFIELD PLATED TAPER HOLDERS.
Public-domain text, read in full here on John Shaqi.
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