Great Britain -- History -- 19th century -- Fiction; Peddlers -- Fiction; Riots -- England -- Fens, The -- Fiction
The flatness, the monotony of the Fens, the absence of unshackled
nature, the treelessness of the region, the lack of everything that can
arrest the changing lights and passing shadows, combine to make the
district one to send a chill into the mind of the visitor. Flat as the
sea, it is devoid of its diversity of tint and tumultuous or glassy
beauty. Nevertheless, the fen exercises a charm over the mind and holds
with a spell the heart of the native. He can live nowhere else. He will
not emigrate. He feels bound to spend all his days in the fen. Only
when the vital spark expires does his body leave the turf to repose in
the clay of the islet graveyards. That the farmer and landowner should
love the fen is not marvellous, because of the richness of the soil and
the profits they make out of it; but why the labourer should cling to
the spongy turf is not so explicable. He may be discontented, and be a
grumbler, but he is discontented with his lot, and envies the taverner
or the smuggler on the Fens, grumbles at the hardness of his work or
the lowness of his pay; but he is not discontented because the fen is
so flat, and he has no word against its hideousness, or, at least, its
uniformity.
One reason why the labourer in the Fens does not think of leaving
it may be that he uses tools there different from those employed
elsewhere, and he would have to learn his trade anew, employ unfamiliar
tools, and be subjected to ridicule when handling them awkwardly. It
is strange, but true, that those men are more naturally prone to leave
their homes who inhabit mountainous lands than such as dwell in level
districts.
How far was Mark going? How Zita flashed past the windmills, some of
which had their sails in motion! A little rising ground showed, with
some trees clustered on it—that must be Littleport.
'Mark,' said Zita suddenly, 'I want to ask you a question.'
'Say on,' said he, and relaxed the speed at which he was spinning her
along, and finally came to a standstill. How pretty she was, with her
glowing cheeks, her cherry lips, the light of the winter sun in her
soft hazel eyes and in her rich, burnished, chestnut hair! How pretty
that hair was now, in some confusion, puffed out of its order, the
coppery strands on her brow, one down her cheek! The wildness of her
appearance thus untidied by the wind made her more than ever charming.
Mark looked with eyes that could not be satiated with looking.
But it was not merely her beauty that struck him. It was the exuberant
happiness that seemed to be bursting forth at her eyes, running out of
her little head in every shining hair, glowing in those bright-tinted
cheeks, burning in those carnation-red lips.
'Well, my dear little Zita, what is it?'
'Mark, it is something I have thought about and have puzzled over. It
seems strange to speak about it now—now when I am so joyous—and it is
connected with things so sad to me and to you.'
'But what is it, little rogue?'
Public-domain text, read in full here on John Shaqi.
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