Children's Books and Their IllustratorsWhite, Gleeson
General
Children's Books and Their Illustrators
White, Gleeson
Children's literature; Illustrated books; Illustration of books; Illustrators
The "pretty-pretty" school, which has been too popular, especially in
anthologies of mildly entertaining rhymes, is sickly at its best, and
fails to retain the interest of a child. Possibly, in pleading for
imaginative art, one has forgotten that everywhere is Wonderland to a
child, who would be no more astonished to find a real elephant dropping
in to tea, or a real miniature railway across the lawn, than in finding
a toy elephant or a toy engine awaiting him. Children are so accustomed
to novelty that they do not realise the abnormal; nor do they always
crave for unreality. As coaches and horses were the delight of
youngsters a century ago, so are trains and steamboats to-day. Given a
pile of books and an empty floor space, their imagination needs no
mechanical models of real locomotives; or, to be more correct, they
enjoy the make-believe with quite as great a zest. Hence, perhaps, in
praising conscious art for children's literature, one is unwittingly
pleasing older tastes; indeed, it is not inconceivable that the "prig"
which lurks in most of us may be nurtured by too refined diet. Whether a
child brought up wholly on the æsthetic toy-book would realise the
greatness of Rembrandt's etchings or other masterpieces of realistic art
more easily than one who had only known the current pictures of cheap
magazines, is not a question to be decided off-hand. To foster an
artificial taste is not wholly unattended with danger; but if humour be
present, as it is in the works of the best artists for the nursery, then
all fear vanishes; good wholesome laughter is the deadliest bane to the
prig-microbe, and will leave no infant lisping of the preciousness of
Cimabue, or the wonder of Sandro Botticelli, as certain children were
reported to do in the brief days when the æsthete walked his faded way
among us. That modern children's books will--some of them at least--take
an honourable place in an iconography of nineteenth-century art, many of
the illustrations here reproduced are in themselves sufficient to prove.
[Illustration: ILLUSTRATION FROM "GOULD'S BOOK OF FAIRY TALES." BY
ARTHUR GASKIN. (METHUEN AND CO.)]
[Illustration: ILLUSTRATION FROM "LULLABY LAND" BY CHARLES ROBINSON.
(JOHN LANE. 1897)]
Public-domain text, read in full here on John Shaqi.
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