Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
These are eight combinations of triple lines. In the first the lines
are unbroken, and in the last they are all divided at the centre, the
intermediate figures consisting of different permutations of broken and
unbroken lines (see p. 290). These eight diagrams, by which certain
Chinese philosophers explained all the phenomena of Nature, are
supposed to have been constructed by the legendary Emperor Fu Hsi (B.C.
2852) from a plan revealed to him on the back of the “dragon horse”
(_lung ma_) which rose from the Yellow River.[131] Among other things,
they are used to designate the points of the compass, one arrangement
making the first figure represent the South (also designated
_ch’ien_[chch] or Heaven), and the last figure the North (also
designated _k’un_[chch] or Earth), the remaining figures representing
South-West, West, North-West, North-East, East, and South-East.
* * * * *
The _pa pao_ [chch 2], or Eight Precious Symbols, supported by fungus
sprays.
These are usually represented by (1) a sphere or jewel, which seems
to have originally been the sun disc; (2) a circle enclosing a
square, which suggests the copper coin called a “cash”; (3) an open
lozenge, symbol of victory or success; (4) a musical stone (_ch’ing_);
(5) a pair of books; (6) a pair of rhinoceros horns (cups); (7) a
lozenge-shaped picture (_hua_); (8) a leaf of the artemisia, a plant of
good omen, which dispels sickness. (See p. 299.)
* * * * *
The _pa chi hsiang_ [chch 3], or Eight Buddhist Symbols, supported on
lotus scrolls.
These symbols, which appeared among the auspicious signs on the foot
of Buddha, comprise (1) the wheel (_chakra_), which is sometimes
replaced by the hanging bell; (2) the shell trumpet of Victory; (3)
the umbrella of state; (4) the canopy; (5) the lotus flower; (6) the
vase; (7) the pair of fish, emblems of fertility; (8) the angular knot
(representing the entrails), symbol of longevity. (See p. 298.)
The hundred forms of the character _shou_ (longevity)--_pai shou
tz’ŭ_.
* * * * *
_Ju-i_ sceptres and phœnix medallions.
The _ju-i_ [chch 2] (“as you wish”) sceptre brings fulfilment of
wishes, and is a symbol of longevity (see vol. i., p. 227). The head of
the _ju-i_, which has a strong resemblance to the conventional form of
the _ling chih_ fungus, is often used in borders and formal patterns
variously described as “_ju-i_ head patterns,” “cloud-scroll patterns,”
or “_ju-i_ cloud patterns.”
Close ground patterns of propitious clouds (_yung hsiang yün ti_).
Cloud designs are propitious because they symbolise the fertilising
rain, and they are commonly represented by conventional scrolls as well
as by the more obvious cloud patterns.
* * * * *
Crested sea waves (_chiang ya hai shui_).
Public-domain text, read in full here on John Shaqi.
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