Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporariesHood, Edwin Paxton
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Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporaries
Hood, Edwin Paxton
Evans, Christmas, 1766-1838
our God as among the living in Zion; for so the Bond was paid and
eternal redemption secured.”
This was certainly singular preaching; it reads like a leaf or two from
Klopstock. We may believe that the enjoyment with which it was heard was
rich and great, but we suppose that the taste of our time would regard it
as almost intolerable. Still, there are left among us some who can enjoy
the _Pilgrim’s Progress_, and the _Fairy Queen_, and we do not see how,
in the presence of those pieces, a very arrogant exception can be taken
to this extraordinary sermon.
A more serious objection, perhaps, will be taken to the nomenclature, the
symbolic language in which the preacher expressed his theology. It
literally represented the theology of Wales at the time when it was
delivered; the theology was stern and awful; the features of God were
those of a stern and inflexible Judge; nature presented few relieving
lights, and man was not regarded as pleasant to look upon. Let the
reader remember all this, and perhaps he will be more tolerant to the
stern outline of this allegory; it is pleasant, now, to know that we have
changed all that, and that everywhere, and all around us, God, and
nature, and man are presented in rose-hued lights, and all conditions of
being are washed by rosy and pacific seas; we see nothing stern or awful
now, either in nature or in grace, in natural or in supernatural things;
Justice has become gentlemanly, and Law, instead of being stern and
terrible, is bland, and graceful, and beautiful as a woman’s smile!
In Christmas Evans’s day, it was not quite so. As to objections to the
mode of preaching, as in contrast with that style which adopts only the
sustained argument, and the rhetorical climax and relation, we have
already said that Christmas must be tried by quite another standard; we
have already said that he was a bard among preachers, and belonged to a
nation of bards. It was a kind of primeval song, addressed to people of
primeval instincts; but, whatever its merits or demerits may be, it
fairly represents the man and his preaching. It does not, indeed,
reflect the style of the modern mind; but, there are many writers, and
readers at present, who are carrying us back to the mediæval times, and
the monastic preachers of those ages, and among them we find innumerable
pieces of the same order of sustained allegory which we have just quoted
from Christmas Evans. What is it but to say, that the simple mind is
charmed with pictures,—it must have them; and such sermons as abound in
them, have power over it?
Public-domain text, read in full here on John Shaqi.
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