The work of Irving is much above any such level; but it has done more harm because its charms are insidious. He recognized at least that human life is composite; but he had as much of a predetermination as they, and his purpose was to create a hero. He glorified what was heroic, palliated what was unheroic, and minimized the doubtful aspects of Columbus's character. His book is, therefore, dangerously seductive to the popular sense. The genuine Columbus evaporates under the warmth of the writer's genius, and we have nothing left but a refinement of his clay. The _Life of Columbus_ was a sudden product of success, and it has kept its hold on the public very constantly; but it has lost ground in these later years among scholarly inquirers. They have, by their collation of its narrative with the original sources, discovered its flaccid character. They have outgrown the witcheries of its graceful style. They have learned to put at their value the repetitionary changes of stock sentiment, which swell the body of the text, sometimes, provokingly. [Sidenote: Portraits of Columbus.] [Sidenote: Columbus's person.] Out of the variety of testimony respecting the person of the adult Columbus, it is not easy to draw a picture that his contemporaries would surely recognize. Likeness we have none that can be proved beyond a question the result of any sitting, or even of any acquaintance. If we were called upon to picture him as he stood on San Salvador, we might figure a man of impressive stature with lofty, not to say austere, bearing, his face longer by something more than its breadth, his cheek bones high, his nose aquiline, his eyes a light gray, his complexion fair with freckles spotting a ruddy glow, his hair once light, but then turned to gray. His favorite garb seems to have been the frock of a Franciscan monk. Such a figure would not conflict with the descriptions which those who knew him, and those who had questioned his associates, have transmitted to us, as we read them in the pages ascribed to Ferdinand, his son; in those of the Spanish historian, Oviedo; of the priest Las Casas; and in the later recitals of Gomara and Benzoni, and of the official chronicler of the Spanish Indies, Antonio Herrera. The oldest description of all is one made in 1501, in the unauthorized version of the first decade of Peter Martyr, emanating, very likely, from the translator Trivigiano, who had then recently come in contact with Columbus. [Sidenote: La Cosa's St. Christopher.]