“The other plate contains ‘The Inside Perspective View of the Under Chappel of St. Thomas within London Bridge, from the West to the East end,’ and beneath it: the ‘Inside South View of the Under Chappel from East to West, representing the manner and form of this rare piece of Ancient Architecture, thus drawn and transmitted to posterity, by G. V., Antiquary, 1744. Published and sold by G. Vertue, in Brownlow-Street, Drury-Lane, 1747’ This plate, which measures 18-1/4 inches by 20, contains a few additional historical notes, by Sir Joseph Ayloffe; and a reduced copy of the lower View was engraved in the 23d volume of the ‘_Gentleman’s Magazine_,’ for October, 1753, page 520. I must observe, also, that, in the large interior View on that plate of Vertue last-mentioned, there are introduced the portraits of the learned Samuel Gale, and the eccentric Dr. Ducarel. The former, by whose patronage and assistance Vertue produced these prints, is standing on the left hand, holding a plan of the Chapel, and listening to an outlandish-looking man, designed for Peter of Colechurch; whilst the latter Antiquary is employed in measuring. You find this information given from Gale’s own lips, in that monument of labour, the ‘_Literary Anecdotes of the Eighteenth Century_,’ by John Nichols, volume iv. London, 1812, 8vo. page 552, and volume vi. part I. page 402. I shall close this notice of these most ancient views of London Bridge, by observing to you, that there is a view and a ground-plan of it, with measurements, engraved by Toms, on the second plate in Hawksmoor’s work, already cited.