Chronicles of Newgate, Vol. 2: From the eighteenth century to its demolitionGriffiths, Arthur
History
Chronicles of Newgate, Vol. 2: From the eighteenth century to its demolition
Griffiths, Arthur
Criminals -- Great Britain; Newgate (Prison : London, England); Prisons -- England; Punishment -- Great Britain
Newgate still overcrowded—Description of interior—Debtors in
Middlesex—Debtors in Newgate—Fees extorted—Garnish—Scanty
food—Little bedding—Squalor and wretchedness prevail
throughout—Constant quarrels and fighting—Discipline
maintained only by prisoner wardsmen—Their tyranny and
extortion—A new debtors' prison indispensable—Building
of Whitecross Street—The criminal side—Indiscriminate
association of all classes—The press-yard—Recklessness
of the condemned—Cashman—The condemned cells—Summary of
glaring defects in Newgate—Crimes constantly being hatched
in Newgate—The Corporation roused to reform Newgate—Little
accomplished.
With criminals and misdemeanants of all shades crowding perpetually
into its narrow limits, the latter state of Newgate was worse than the
first. The new gaol fell as far short of the demands made on it as did
the old. The prison population fluctuated a great deal, but it was
almost always in excess of the accommodation available, and there were
times when the place was full to overflowing. At one time there were
three hundred debtors and nine hundred criminals in Newgate, or twelve
hundred prisoners in all.
In order to realize the evils entailed by incarceration in Newgate in
these days, it is necessary to give some account of its interior as
it was occupied and appropriated in 1810. The gaol at that date was
divided into eight separate and more or less distinct departments, each
of which had its own wards and yard. These were as follows: the male
debtors' side; the female debtors' side; the chapel yard; the middle
yard; the master felons' side; the female felons' side; the state side;
and the press-yard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account