Chushingura; Or, The Treasury of Loyal RetainersTakeda, Izumo
History
Chushingura; Or, The Treasury of Loyal Retainers
Takeda, Izumo
Forty-seven Ronin -- Drama; Japan -- History -- Ako Vendetta, 1703 -- Drama
OKARU. No, no, though I part from him, I feel no sorrow
since I am selling myself for our lord. I go with a brave
heart. But, mother, I am sorry I cannot see father before I
go.
MOTHER. Oh, when he returns, I am sure he will go and see
you. Use moxa so as not to fall ill, and come and show me
your bright face sometimes. You will be uncomfortable
without paper and a fan. Have you everything you want? Don’t
stumble and hurt yourself.
[Illustration: Crying woman carried in a palanquin]
RECITATIVE. She looks after her until she gets into the
palanquin. They bid each other farewell. By what ill-fate is
it that with such a fair daughter, this sorrow falls upon
her? The mother weeps with clenched teeth; and the daughter
clings to the side of the palanquin and chokes with tears in
her desire not to let her crying be seen or heard. The
palanquin is, alas, lifted up, and the bearers hurry away on
the road. The mother stands gazing after her.
MOTHER. Ah, how sad I must have made my daughter with my
foolish words! O my son, when even I, her mother, am
resigned to her going, I hope you will not keep thinking of
her and make yourself ill. How is it that father does not
come home? You said you saw him, did you not?
KANPEI. Ah, yes.
MOTHER. And where did you see him? And where did he go when
he left you?
KANPEI. Well, we parted at...... let me see...... was it at
Toba or Fushimi? Or Yodo or Takeda?
RECITATIVE. While he speaks at random, Meppo Yahachi,
Tanegashima no Roku, and Tanuki no Kakubei, three hunters of
the neighbourhood, come in without ceremony, bearing on a
shutter Yoichibei’s body, covered over with a straw
rain-coat.
[Illustration: Three hunters carrying a body]
YAHACHI. As we were coming home from the night’s work, we
found your old man’s body, and so we have brought it here.
RECITATIVE. The mother is amazed.
MOTHER. Whose deed was it? Tell me, my son, who is the
murderer? Please, revenge his death. Oh, my husband, my
husband!
RECITATIVE. But her cries are in vain; there is naught but
tears for her.
HUNTERS. Oh, how grieved you must be, old mother! Appeal to
the Lord Deputy’s office and have the matter inquired into.
We are very sorry for you.
RECITATIVE. The hunters all leave her and go to their own
homes. The mother, amid her tears, comes close to Kanpei.
MOTHER. Now, my son, I thought my suspicions unjust; but
there is one thing I cannot understand. Though you were, it
is true, formerly a samurai, yet one would have expected you
to be amazed when you saw your father-in-law’s dead body.
When you met him on the road, did you not receive money from
him? What did he say to you? Now, tell me. Say it. Ah, you
cannot answer; and this is the reason why.
RECITATIVE. And she puts her hand into Kanpei’s bosom and
draws out the pouch.
MOTHER. A while ago I caught sight of this pouch. See, it is
stained with blood, and you must have killed the old man.
KANPEI. No, this........
Public-domain text, read in full here on John Shaqi.
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