I saw at Kingston, some years ago, immense placards announcing the
coming of Sanger’s circus, and informing the public that the stud
included some Brazilian zebras, and the only specimen ever brought to
Europe of the ‘vedo, or Peruvian god-horse.’ Every one who has read any
work on natural history knows that the zebra is confined to Africa, and
that the equine genus was unknown in America until the horses were
introduced there by the Spaniards. Not having seen the animal, I am not
in a position to say what the ‘vedo’ really is or was; but it is certain
that the only beasts of burden possessed by the Peruvians before horses
were introduced by their Spanish conquerors were the llama and the
alpaca, which are more nearly allied to the sheep than to any animal of
the pachydermatous class, to which the horse belongs.
Leaving these wandering circuses for a time, we must turn our attention
for a little while to the permanent temples of equestrianism in the
metropolis. James Hernandez made his appearance at Astley’s during the
season of 1849, in company with John Powell, John Bridges, and Hengler,
the rope-dancer. Bridges exhibited a wonderful leaping act, and Powell’s
acts were also much admired; but the palm was awarded by public
acclamation to Hernandez, whose backward jumps and feats on one leg
elicited a _furore_ of applause at every appearance. His success, and
consequent gains, enabled him, on leaving Astley’s, and in conjunction
with two partners, Eaton and Stone, to form a stud, with which they
opened on the classic boards of Drury Lane.
Among the company was an equestrian who appeared as Mdlle Ella, and
whose graceful acts of equitation elicited almost as much applause as
those of Hernandez, while the young artiste’s charms of face and form
were a never-ending theme of conversation and meditation for the
thousands of admirers who nightly followed them round the ring with
enraptured eyes. It was the same wherever Ella appeared, and great was
the surprise and mortification of the young equestrian’s admirers when
it became known, several years afterwards, that the beautiful, the
graceful, the accomplished Ella was not a woman, but a man! Ella is now
a husband and a father.
Public-domain text, read in full here on John Shaqi.
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