Cleopatra's needle : $b with brief notes on Egypt and Egyptian obelisksWilson, Erasmus, Sir
History
Cleopatra's needle : $b with brief notes on Egypt and Egyptian obelisks
Wilson, Erasmus, Sir
Cleopatra's Needle (London, England); Obelisks
[22] Apappus was a Pharaoh of gigantic build, and a successful general;
he carried his wars into Ethiopia and Asia. He is said to have been
nine feet high, and he lived to the age of 100 years.—The story of
Queen Nitocris, the “belle with the rosy cheeks,” as Manetho calls her,
is, that her brother having been assassinated, she assembled together
at a banquet all whom she thought to be accomplices in the crime; and
when the hilarity of the evening was at its zenith, she let in upon
them the waters of the Nile, so that they were all drowned.
The pyramid and the obelisk have something analogous in their form—the
four sides and the pointed summit—indeed, the apex of an obelisk, in
nearly every case, is a diminutive pyramid, or pyramidion. Both had
mystical attributes assigned to them in relation to the worship of
the Sun, the “organiser of the world.” The pyramid, with its four
sides looking north, south, east, and west, was selected as the tomb
of the mummified body which was destined to rise from the dead, and
be restored to life at the appointed time. When the pyramid was too
costly, a pair of small obelisks stood sentry at the entrance of the
tomb, and were in common use during the early dynasties. A considerable
number of these relics have been found, and preserved in the Egyptian
museum at Boulak. The obelisk of Syenite granite, however, belongs to
a later period; it may have come into use before the twelfth dynasty,
before the reign of Usertesen; but the Heliopolis obelisk is generally
admitted to be the pioneer of the colossal obelisks of the eighteenth
and nineteenth dynasties, of the reigns of the Thothmeses and of the
Ramseses. These latter were not funereal, but, on the contrary, were
triumphal, and took the place of triumphal arches of modern times. On
the facets of the pyramidion, and at the top of the shaft immediately
below it, were usually engraved figures denoting supplication and
gifts, by the Pharaoh who dedicates the monument, to the gods whom
he intends to propitiate; it might be wine, or it might be milk; and
occasionally, as at Heliopolis and at Karnak, the pyramidion was capped
with metal, sometimes gold, from the countries which had been conquered
in battle; sometimes burnished copper or bronze, which might represent
the spoils of war, or by the reflection of its rays, an artificial sun;
while certain of the obelisks are said to have been more extensively
ornamented with metal.
Public-domain text, read in full here on John Shaqi.
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