Club Life of London, Vol. 1 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th CenturiesTimbs, John
History
Club Life of London, Vol. 1 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th Centuries
Timbs, John
Clubs -- England -- London; Literary landmarks -- England -- London; London (England) -- Social life and customs
Dick Estcourt was beloved by Steele, who thus introduces him in the
_Spectator_, No. 358: "The best man that I know of for heightening
the real gaiety of a company is Estcourt, whose jovial humour diffuses
itself from the highest person at an entertainment to the meanest
waiter. Merry tales, accompanied with apt gestures and lively
representations of circumstances and persons, beguile the gravest mind
into a consent to be as humorous as himself. Add to this, that when a
man is in his good graces, he has a mimicry that does not debase the
person he represents, but which, taken from the gravity of the
character, adds to the agreeableness of it."
Then, in the _Spectator_, No. 264, we find a letter from Sir Roger de
Coverley, from Coverley, "To Mr. Estcourt, at his House in Covent
Garden," addressing him as "Old Comical One," and acknowledging "the
hogsheads of neat port came safe," and hoping next term to help fill
Estcourt's Bumper "with our people of the Club." The Bumper was the
tavern in Covent Garden, which Estcourt opened about a year before his
death. In this quality Parnell speaks of him in the beginning of one
of his poems:--
"Gay Bacchus liking Estcourt's wine
A noble meal bespoke us,
And for the guests that were to dine
Brought Comus, Love, and Jocus."
The _Spectator_ delivers this merited eulogy of the player, just prior
to his benefit at the theatre: "This pleasant fellow gives one some
idea of the ancient Pantomime, who is said to have given the audience
in dumb-show, an exact idea of any character or passion, or an
intelligible relation of any public occurrence, with no other
expression than that of his looks and gestures. If all who have been
obliged to these talents in Estcourt will be at _Love for Love_
to-morrow night, they will but pay him what they owe him, at so easy
a rate as being present at a play which nobody would omit seeing, that
had, or had not, ever seen it before."
Public-domain text, read in full here on John Shaqi.
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