Colonel Carter's Christmas and The Romance of an Old-Fashioned GentlemanSmith, Francis Hopkinson
General
Colonel Carter's Christmas and The Romance of an Old-Fashioned Gentleman
Smith, Francis Hopkinson
Christmas stories; Virginia -- Fiction
Each day my lady would dress herself with the greatest care in the
flowered satin and coax the stray curl into position, and each day
Adam would go through the ceremony of receiving her at the door with
his mahlstick held before him like a staff of state. Then, bowing like
a courtier, he would lead her past the yellow satin screen and big jar
of blossoms and place her in the high-back chair, little Phil acting
as page, carrying her train.
* * * * *
And so the picture was finished!
On that last day, as he stood in front of it, the light softened by
the screening sheet falling full upon it, his heart swelled with
pride. He knew what his brush had wrought. Not only had he given the
exact pose he had labored for--the bent head, the full throat, the
slope of the gently falling line from the ear to the edge of the
corsage, the round of the white shoulders relieved by the caressing
curl; but he had caught a certain joyous light in the eyes--a light
which he had often seen in her face when, with a sudden burst of
affection, she had strained little Phil to her breast and kissed him
passionately.
"I'm not so beautiful as that," she had said to Adam with a
deprecatory tone in her voice, as the two stood before it. "It's only
because you think I am, and because you've kept on saying it over and
over until you believe it. It's the gown and the peach blossoms in the
jar behind my chair--not me."
The servants were none the less enthusiastic. Bundy screwed up his
toad eyes and expressed the opinion that it was "de 'spress image,"
and fat old Aunt Dinah, who had stumbled up the garret stairs from the
kitchen, the first time in years--her quarters being on the ground
floor of one of the cabins--put on her spectacles, and lifting up her
hands, exclaimed in a camp-meeting voice:
"De Lawd wouldn't know t'other from which if both on ye went to heaben
dis minute! Dat's you, sho' nuff, young mist'ess."
Only one thing troubled the young painter: What would the Judge say
when he returned in the morning? What alterations would he insist
upon? He had been compelled so many times to ruin a successful
picture, just to please the taste of the inexperienced, that he
trembled lest this, the best work of his brush, should share their
fate. Should the Judge disapprove Olivia's heart would well nigh be
broken, for she loved the picture as much as he did himself.
* * * * *
The night before Judge Colton's return the two sat out on the porch in
the moonlight. The air was soft and full of the coming summer.
Fire-flies darted about; the croaking of tree-toads could be heard.
From the quarters of the negroes came the refrain of an old song:
"Corn top's ripe and de meadow's in de bloom,
Weep no mo' me lady."
"I feel as if I had been dreaming and had just waked up," sighed
Olivia. "Is it all over?"
Public-domain text, read in full here on John Shaqi.
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